首页> 外文OA文献 >La fin et les moyens : Quelques mécanismes, causes et significations des changements et des variantes dans les industries des chasseurs préhistoriques Quelques mécanismes, causes et significations des changements et des variantes dans les industries des chasseurs préhistoriques
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La fin et les moyens : Quelques mécanismes, causes et significations des changements et des variantes dans les industries des chasseurs préhistoriques Quelques mécanismes, causes et significations des changements et des variantes dans les industries des chasseurs préhistoriques

机译:目的和手段:史前猎人产业变化和变异的一些机制,成因和意义史前猎人产业变化和变异的一些机理,成因和意义

摘要

ABSTRACT The land-use mosaic (i.e. the juxtaposition of cultures giving evidence of social groups) is quite obvious for Epipalaeolithic, especially for its "mesolithic" part. It existed before in all periods. Synchronical cultures are different in the style of débitage and tool manufacturing, often in the pro- portions of the latter, sometimes in specific tools. J. Walzak (1997) shows that the difference between the Middle Ardennian debitage and the Middle Tardenoisian debitage is the result of precise striking, within a similar "chaîne opératoire" of tangential percussion; the Tardenoisians would strike close to the edge, and produced lots of bladelets; the Ardennians were less precise and obtained more flakes and blades. That explains the Fépin style, which is typical of Ardennian, and its differences with the Tardenoisian's Coincy style. Retouched flakes, blades and bladelets are one functional category, their proportions derive only from those obtained by debitage. The only significant difference between both cultures is in the proportions of manufactured, therefore wanted, pointed armatures in each of them. Should that choice correspond to the use by the Ardennians of supply-ways which did not need arrows, or the use of several armatures per arrow by the Tardenoisians, anyway only the choice of the hunting implements determined the technical variants of flint debitage. The same kind of determination can be found at the Beaugencians' with a different style. The Limbourgians' preference for endscrapers, the use of prismatic tools by several cultures surrounding Beaugencian, show that there were other factors about the common tools and emphasize that the Mesolithic cultures had a far greater diversity than Magdalenian groups, in which hunting armatures were more unvarying, and even than Aziloid groups. The time mosaic (the succession of flint and bone technics, which were called "cultures" or "civilisations" improperly) is made of unceasing changes, some of them being more important and coarser than others. All these changes were progressive, correlative (within each regional group) and indépendant (in either group). Minor changes, more perceptible because they were slower, changed the industries without modifying the essential balance, because they did not upset the basic technics. For example the Tjonge- rians who left the Magdalenian style of debitage and provided rough blades, more suitable for the new dart pattern: the end (tools) came before the means (manufacturing technics). The great changes in industries, originating the names (Aurignacian, Gravettian, Solutrean, Magdalenian), were caused by capital choices in a field of first importance, hunting: changing from bone points, made with burins, to flint points (burins disappeared then, the increasing of endscrapers was only apparent), and reciprocally. Here again, the choice of hunting implements determined the composition of the lithic industry, the other social life elements varied sometime else. Whenever it followed some great invention, the "explosive" development of the new ways might appear as an advanced stage of use, therefore some intrusion from outside. The time mosaic in the Upper Palaeolithic had no other origin that those changes happening locally through successive choices or (and) inventions, in the same context as hunting with javelins or spears, which is the true definition of the Upper Palaeolithic. We do not know the reasons of the changes in the early Upper Palaeolithic, when never one of both patterns prevailed thoroughly, later the invention of spear- throwers was essential. The re-invention of the bow put an end to that technical cycle, and gave birth to a more efficient one, which also went through important changes later. The deep-lying causes of all these changes are not the climatic changes. That old postulate was often proved to be wrong, and was never confirmed. Examining carefully the beginnings of each change sometimes shows that they occured before the climatic variation which they were supposed to depend on (should they have induced them ?). It was still the case in a recent study (of a high level in other respects) in which indices and proves are mistaken, without any attempt to find the generality of the facts nor analyse the moment they began. Inventing under the permanent pressure of the environment was the genuine mechanism of that cultural evolution. Though, some discoverers were not followed, because the social corps were unable to understand and adopt new devices, which disappeared: 4000 years for the spearthrowers, 8000 for bows, spans of time far longer than those of the social effects of invention (500 to 1000 years for those periods). The average brains had not yet evolved enough. Then the fundamental cause of the changes was in the biological brain of our species going on evolving.
机译:摘要对于上旧石器时代,尤其是其“中新世代”部分而言,土地利用镶嵌图(即文化的并置为社会群体提供了证据)非常明显。它曾经存在于所有时期。同步文化在债务和工具制造的风格上是不同的,通常在后者的部分中,有时在特定的工具中。 J. Walzak(1997)表明,在类似的切向打击乐的“Chaîneopératoire”中,中亚Ardennian借方和中Tardenoisian借方之间的差异是精确打击的结果。 Tardenois人会接近边缘,并产生许多小叶片。 Ardennians不太精确,获得了更多的薄片和刀片。这就解释了典型的阿登风格的费潘风格,以及与塔德尼斯风格的Coincy风格的区别。修饰后的薄片,刀片和小片是一种功能类别,它们的比例仅来自通过借记获得的比例。两种文化之间唯一的显着差异是每种文化中所制造的,因此需要的尖锐电枢的比例。如果该选择对应于不需要箭头的Ardennians供应道路的使用,或者Tardenoisians使用每个箭头的多个电枢,则无论如何,只有狩猎工具的选择才决定了fl石借记的技术变体。可以在Beaugencians家族中找到不同风格的相同决心。 Limbourgians对endcrapers的偏爱,即Beaugencian周围几种文化对棱柱形工具的使用,表明该通用工具还有其他因素,并强调说,中石器时代的文化比Magdalenian群体的多样性要大得多,在Magdalenian群体中,狩猎电枢更为不变,甚至比Aziloid组。时间镶嵌(火石和骨骼技术的继承,被不恰当地称为“文化”或“文明”)是由不断变化构成的,其中一些比其他的更重要和更粗糙。所有这些变化都是渐进的,相关的(在每个区域组内)和独立的(在每个组中)。细微的变化(由于速度较慢而更容易察觉)在不改变基本平衡的情况下改变了行业,因为它们不会破坏基本技术。例如,Tjongerians放弃了Magdalenian的扣款方式,并提供了较粗糙的刀片,更适合于新的飞镖图案:末端(工具)在手段(制造工艺)之前。工业的巨大变化,源于名称(奥里尼亚克,格拉维蒂安,索鲁特人,马格达莱尼亚语),是由在最重要的狩猎领域中的资本选择引起的:从用毛刺制成的骨头尖变到火石尖(然后消失了,爬虫的增加仅是显而易见的),反之亦然。同样,狩猎工具的选择决定了石器业的组成,其他社会生活因素在其他时候有所不同。只要遵循了一项伟大的发明,新方法的“爆炸性”发展就会出现在使用的高级阶段,因此会受到外界的干扰。在旧石器时代的时间镶嵌没有其他起源,这些变化是通过连续的选择或(和)发明在局部发生的,与标枪或长矛狩猎一样,这是上古石器时代的真正定义。我们不知道早期旧石器时代发生变化的原因,当两种模式中的任何一种都没有彻底普及时,后来的长矛投掷器发明是必不可少的。弓的重新发明终止了该技术周期,并催生了一种效率更高的弓,该弓后来也经历了重要的变化。所有这些变化的深层原因不是气候变化。那个旧的假设经常被证明是错误的,并且从未得到证实。仔细检查每个变化的开始有时会发现它们是在它们应该依赖的气候变化之前发生的(应该引起这些变化吗?)。最近的研究(在其他方面具有较高水平)仍然是这种情况,其中索引和证明是错误的,没有试图找到事实的普遍性或分析事实的开始。在环境的永久压力下进行发明是这种文化进化的真正机制。但是,一些发现者没有被追踪,因为社会团体无法理解和采用新的设备,而这种新设备却消失了:投掷者的寿命为4000年,弓箭的寿命为8000年,其时间跨度远远超过发明的社会效应(500至这段时期为1000年)。一般的大脑还不够进化。然后,变化的根本原因在于我们物种的生物大脑正在不断发展。

著录项

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    Jean-Georges Rozoy;

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  • 年度 1997
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