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A Study of the Historical Period Drama 'Downton Abbey' from the Perspective of Face Theory

机译:从脸部理论看历史时期戏剧“唐顿修道院”的研究

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This paper chooses Brown and Levinson's face theory to make an analysis into the historical period drama series Downton Abbey, which reflects the British culture after the Second Industrial Revolution, and probes into the face conflicts dialogues among characters. By dividing relationships between characters into three major types, the author gives an analysis of face conflicts, compares the process and degree of the speakers' face threatening acts between western and Chinese culture, and finally sums up the different attitudes toward "face" between western people and Chinese. By discussing the different attitudes of Chinese and western people towards "face", this paper hopes to provide references for political, economic and cultural communication between China and the Western countries, as well as guidance on how to avoid face threatening acts and protect mutual faces in cross-cultural communication.
机译:本文选择了棕色和莱文顿的脸部理论,以分析历史时期剧情系列唐顿修道院,这反映了第二次工业革命后的英国文化,并探讨了人物之间的对话。通过将人物之间的关系分为三种主要类型,作者对面部冲突进行了分析,比较了西方和中国文化之间的讲话者面临威胁行为的过程和程度,最后总结了西部“脸”的不同态度人民和中国人。通过讨论中西方对“面临”的不同态度,本文希望提供中西国家与西方国家之间的政治,经济和文化沟通,以及如何避免面对威胁行为和保护共同面孔的指导在跨文化交流中。

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