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The image of the father in Downton Abbey: manifestation of identity in virtuous actions

机译:唐顿修道院的父亲的形象:在善良行动中的身份表现

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The British television series Downton Abbey (directed by Julian Fellowes) could be considered a media phenomenon without precedent. Since its release in 2010 and throughout its six seasons, it reached a global audience in over 220 countries. At a time when the father figure is dissolving, fading, or missing in the content of television series, the worldwide success of Downton Abbey features the image of Lord Robert Crawley (Hugh Bonneville), Earl of Grantham, the father of an aristocratic family in England. This article will analyze paternal image from its ontological and historical roots, considering truth, transcendence and goodness, as well as manifestations of paternal virtues. Given the fact that virtue is not easily measured, the analysis will show that a father's identity can be reflected in a series of virtuous actions, as manifestations of core virtues. These virtues are the basis for a quantitative content analysis of the seven episodes of the first season, through the application of a methodological tool for audiovisual analysis.
机译:英国电视剧唐顿修道院(朱利安同伴指导)可以被视为没有先例的媒体现象。自2010年和六个季节发布以来,它在220多个国家达成了全球观众。在父亲的人物在电视剧的内容中溶解,褪色或缺失,世界各地的唐顿修道院的成功特色了罗伯特·克劳利(Hugh Bonneville),伯克姆伯爵勋爵的形象英格兰的贵族家庭。本文将从本体论和历史根部分析父亲形象,考虑真相,超越和善良,以及父亲美德的表现。鉴于美德不容易衡量的事实,分析将表明,父亲的身份可以反映在一系列良性行动中,作为核心美德的表现。这些美德是第一季七集的定量内容分析的基础,通过应用用于视听分析的方法工具。

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