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FREEHAND SKETCHING AS A CATALYST FOR DEVELOPING CONCEPT DRIVEN COMPETENCIES

机译:写作作为开发概念驱动能力的催化剂的谱写

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At a time when concept driven competencies are perceived to be critical in redefining effective technological education, the introduction of Design and Communication Graphics at senior cycle in Irish high schools has broad implications. Students now have the potential to explore applied geometries, integrated with conceptual thinking in addition to developing essential communication skills. As a result, freehand sketching has become an integral facet of all technological subjects. Action research currently being carried out at the University of Limerick aims to identify a sustainable intervention strategy for the development of concept driven competencies in students of technological education. Core to this is the development of student's ability to freehand sketch what is both perceived and conceptualised. This paper presents findings of an intervention strategy carried out with a cohort of 124 pre-service teachers of technology education. The study develops participant's ability to engage in higher order symphonic cognition as well as the harmonisation of fundamental communication skills through the medium of freehand sketching. The approach for the research followed a five phase intervention strategy. An initial pre-instruction covariant exercise was used to measure participants overall communication ability together with their capacity to engage in higher order thinking. Stage one, two and three developed the aptitudes of recognition, enquiry and synthesis through the use of both regular and non-regular geometry embedded in dual purpose activities. Stage four, moving towards conceptualisation, employed a comparative photographic composition as a measure of students previously perceived composition. The final stage centred on an organic composition derived by the students that outlined their ability not only to communicate but also present symphonic aptitudes. The key findings for this paper are significant in terms of developing a sustainable strategy for teaching freehand sketching in Irish high schools. Instantaneous improvement resulted in participants developing an intrinsic motivation to develop their skills and engage in the activities as autonomous learners. An innovative pedagogical strategy was applied. This facilitated a cohort of thirty participants and incorporated Pareto's Law and the 80/20 Principle. The concept of realising and developing personal styles in the communication of compositions was a novel finding of the research. Relationships between metacognition and sketching competencies are discussed with implications for the exploration and development of complex solutions in plane and descriptive geometry. The paper concludes by highlighting the value of freehand sketching in developing symphonic design capabilities, the implications of this skill in terms of transferability and access of the physical symbol system present in the cognitive architecture.
机译:在概念驱动的能力被认为是重新定义有效的技术教育至关重要的时候,爱尔兰高中高级循环中的设计和通信图形的引入具有广泛的含义。学生现在有可能探索应用的几何形状,除了开发基本的沟通技巧之外还与概念思想集成。结果,手绘草图已成为所有技术科目的整体面。目前在利默里克大学进行的行动研究旨在确定技术教育学生概念驱动能力的可持续干预战略。核心这是学生的自由手绘能力的发展是什么感觉和概念化。本文介绍了与124个职业教育教师队伍队列的干预策略的调查结果。该研究制定了参与者从事高阶交响对认知的能力以及通过徒手素描中的媒介统一基本沟通技巧。研究方法遵循五阶段干预策略。初步前的协调性练习用于衡量参与者的整体沟通能力,以及它们与更高阶思维的能力。第一阶段,二和三个通过使用嵌入双目的活动的常规和非规则几何形状,开发了识别,查询和综合的容纳。阶段四,朝着概念化迈出,采用了比较的摄影组成作为先前感知组成的学生的衡量标准。最后阶段以有机组合物为中心,概述了他们不仅能够沟通的能力,而且呈现出伴随的交响乐阀。本文的主要发现是在制定爱尔兰高中习惯的可持续战略方面是重要的。瞬间改善导致参与者制定了一个内在的动机,以发展他们的技能,并使活动成为自主学习者。应用了创新的教学策略。这促进了三十名参与者的队列,并纳入了帕累托的法律和80/20原则。在组合物的通信中实现和开发个人方式的概念是研究的新发现。对元认知与草图竞争之间的关系讨论了对平面和描述几何中复杂解决方案的探索和开发的影响。本文通过突出徒手绘制在开发交响乐设计能力方面的价值,在认知架构中存在的物理符号系统的可转换性和访问方面的含义来结束。

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