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The cover. Vsevolod Mikhailovich Garshin.

机译:封面。 Vsevolod Mikhailovich Garshin。

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Ilya Efimovich and Vsevolod Mikhailovich played starring, and complementary, roles in the atmosphere of the pre-Revolutionary Russian literary and artistic aristocracy. Their interwoven paths intersected often, since Repin illustrated several of Garshin's books; Garshin admired and wrote about the circle of artists, the Wanderers, to which Repin belonged—these "traveling exhibitors" were also known as the Itinerants or the Peredvizhniki. Garshin's suicide ended his participation in that rich creative world, yet Repin continued to paint into the 1920s. Repin's influence extended, after his death, into Joseph Stalin's milieu; Stalin idolized Repin as the artist who best typified the Soviet policies of Socialist Realism.
机译:伊利亚·埃菲莫维奇(Ilya Efimovich)和维谢沃洛德·米哈伊洛维奇(Vsevolod Mikhailovich)在革命前的俄罗斯文学和艺术贵族氛围中扮演着主角和互补角色。由于列宾(Repin)说明了加尔辛(Garshin)的几本书,它们的交织路径经常相交。加尔辛(Garshin)钦佩并撰写了列宾所属的艺术家圈子-流浪者-这些“旅行参展者”也被称为巡回者或Peredvizhniki。加尔辛(Garshin)的自杀结束了他对那个富有创造力的世界的参与,但列宾(Repin)继续绘画到1920年代。列宾去世后,他的影响力扩大到约瑟夫·斯大林的环境。斯大林将列宾(Repin)视为最能代表苏联社会主义现实主义政策的艺术家。

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