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首页> 外文期刊>Journal of voice: official journal of the Voice Foundation >Acoustic and perceptual analyses of Brazilian male actors' and nonactors' voices: long-term average spectrum and the 'actor's formant'.
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Acoustic and perceptual analyses of Brazilian male actors' and nonactors' voices: long-term average spectrum and the 'actor's formant'.

机译:对巴西男性演员和非演员声音的声学和感性分析:长期平均频谱和“演员共振峰”。

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SUMMARY: This study investigates the possible differences between actors' and nonactors' vocal projection strategies using acoustic and perceptual analyses. A total of 11 male actors and 10 male nonactors volunteered as subjects, reading an extended text sample in habitual, moderate, and loud levels. The samples were analyzed for sound pressure level (SPL), alpha ratio (difference between the average SPL of the 1-5kHz region and the average SPL of the 50Hz-1kHz region), fundamental frequency (F0), and long-term average spectrum (LTAS). Through LTAS, the mean frequency of the first formant (F1) range, the mean frequency of the actor's formant, F0 region (L1-L0), and the level differences between the strongest peak at 0-1kHz and that at 3-4kHz were measured. Eight voice specialists evaluated perceptually the degree of projection, loudness, and tension in the samples. The actors had a greater alpha ratio, stronger level of the "actor's formant" range, and a higher degree of perceived projection and loudness in all loudness levels. SPL, however, did not differ significantly between the actors and nonactors, and no differences were found in the mean formant frequencies ranges. The alpha ratio and the relative level of the "actor's formant" range seemed to be related to the degree of perceived loudness. From the physiological point of view, a more favorable glottal setting, providing a higher glottal closing speed, may be characteristic of these actors' projected voices. So, the projected voices, in this group of actors, were more related to the glottic source than to the resonance of the vocal tract.
机译:摘要:本研究使用声学和知觉分析研究演员和非演员的声音投射策略之间的可能差异。共有11位男性演员和10位男性非演员自愿作为受试者,他们以习惯,中度和大声程度阅读扩展的文本样本。分析了样本的声压级(SPL),α比(1-5kHz区域的平均SPL与50Hz-1kHz区域的平均SPL之差),基频(F0)和长期平均频谱(LTAS)。通过LTAS,第一个共振峰的平均频率(F1)范围,演员共振峰的平均频率,F0区域(L1-L0)以及0-1kHz和3-4kHz的最强峰值之间的电平差为测量。八名语音专家在感知上评估了样本的投射程度,响度和张力。演员的阿尔法比率更高,“演员的共振峰”范围的水平更高,并且在所有响度级别中感知的投射度和响度都更高。但是,SPL在参与者和非参与者之间没有显着差异,并且在平均共振峰频率范围内也没有发现差异。 Alpha比率和“演员共振峰”范围的相对水平似乎与感知响度的程度有关。从生理学的角度来看,更有利的声门设置(提供更高的声门关闭速度)可能是这些演员投射声音的特征。因此,在这组演员中,投射的声音与声门的来源更相关,而不是与声道的共鸣有关。

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