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Weaving & We Second Hangzhou Triennial of Fiber Art,

机译:编织与我们第二届杭州纤维艺术三年展,

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摘要

Spread over two floors, six galleries, and the museum grounds, Weaving & We brought together over 60 exhibitors—before counting parallel exhibitions organized around the city as part of the Second Hangzhou Triennial of Fiber Art. A high proportion of the works on display simply would not have fit into a typical city center exhibition space in Europe. The predominance of large-scale work coupled with a far more balanced representation of men and women as exhibitors and conference participants may not have been a conscious strategy for the event organizers. Nonetheless, these two facts contributed to an atmosphere far less consumed by familiar textile debates around gender, domestic narratives, and the individual.
机译:“编织与我们”展布于两层楼,六个美术馆和博物馆场地,汇集了60多家参展商,然后才算作第二届杭州纤维艺术三年展的一部分,在城市周围组织了平行展览。展出的大部分作品根本无法适应欧洲典型的市中心展览空间。大型工作的主导地位以及男女作为参展商和会议参加者的平衡更加均衡,对于活动组织者而言可能并不是一种自觉的策略。尽管如此,这两个事实为气氛营造了气氛,而这种气氛被熟悉的围绕性别,家庭叙事和个人的纺织品辩论所消耗的少得多。

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  • 来源
    《Textile》 |2017年第3期|246-251|共6页
  • 作者

    JESSICA HEMMINGS;

  • 作者单位

    University of Gothenburg, Sweden;

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  • 正文语种 eng
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