Architectures of memory: Image, sound, stone

摘要

This article moves through the tempo of visual and aural inventories that float in and out of the making of a film-based project within a post-war, post-colonial landscape. Seeking a set of conversations that offer clues to the inhabitation and production of public spheres within the zone of cinemas, the article considers the creative process at play in the writing of these iterative histories of the very ways in which cities are imagined, lost and perhaps re-gained through poetic reflection.