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The Spiritual Landscapes of Dominique de Menil

机译:多米尼克·德·梅尼尔的精神风景

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Dominique de Menil (1908-1998) with her husband, Jean, amassed one of the finest collections of ancient and modern art in the United States. Rivaling the Frick Collection in New York City, their acquisitions are housed in a museum in midtown Houston; through their largesse, the Rothko Chapel for interfaith dialogue and a Byzantine Chapel stand nearby. Philanthropists, they supported the civil rights movement at home and peace initiatives abroad. They were committed to enrich Catholicism through theological inquiry and the arts. After Jean died, Dominique's willingness to listen to her inner voice prompted many contributions. The spiritual biography of Mrs. de Menil requires a theoretical lens not provided by existing constructs of spiritual development over the life course. Here, I deploy the metaphor of “landscapes” to illuminate critical moments in her spiritual growth, especially during her later years.
机译:多米尼克·德·梅尼尔(Do​​minique de Menil,1908-1998年)与丈夫让(Jean)积累了美国最好的古代和现代艺术藏品之一。与纽约市的弗里克收藏(Frick Collection)竞争激烈时,他们的藏品存放在休斯顿市中心的一座博物馆中;通过他们的慷慨,进行信仰间对话的罗斯科教堂和拜占庭教堂就在附近。慈善家们支持国内的民权运动和国外的和平倡议。他们致力于通过神学探索和艺术来丰富天主教。吉恩(Jean)死后,多米尼克(Dominique)倾听自己内心的声音促使他们做出了许多贡献。德梅尼尔夫人的属灵传记要求有一个理论视角,而生命过程中现有的精神发展构想却无法提供这种理论视角。在这里,我用“风景”的比喻来阐明她精神成长中的关键时刻,尤其是在她晚年的时候。

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