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The Eddie Cantor story: A Jewish life in performance and politics

机译:埃迪·康托的故事:表演和政治中的犹太生活

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In a span of over five decades, entertainment icon Eddie Cantor starred in vaudeville, Broadway musical comedies, motion pictures, radio, and television, as well as producing recordings of his most well-known songs and publishing best-selling autobiographies. Radio was one of the most culturally potent avenues through which Cantor and other entertainers and political figures of the 1930s and 1940s could communicate their views and values to the broad American public. Broadcasting historian David Weinstein (who has previously written a valuable history of the Dumont television network) persuasively argues that Cantor's commitment to and pride in his Jewish ethnic and religious identity, and his engagement with political and civic activism, were central to his career and performing personality. The book charts Cantor's life, from his birth in 1892 and impoverished childhood in the Eastern-European-Jewish-immigrant community of New York City's Lower East Side, and the development of his performing talents in amateur night shows and early experiences as a singer and comic in 1910s vaudeville acts. Subsequent chapters discuss Cantor's successful rise to the "big time" in Broadway musical comedies and Ziegfeld reviews in the 1920s, to fame in radio and film in the 1930s and 1940s, to work in television in the early 1950s. Weinstein digs deeply into archival materials, the entertainment trade press, Jewish culture, and American history. Cantor's career story is highlighted with rich historical nuggets, such as discussions of Cantor's formative experiences with the Arthur and Bedini vaudeville troupe, his insouciant performances in Ziegfeld shows, his public criticism of Henry Ford's racial prejudice in the 1920s and anti-Semitism's frightening international expansion in the 1930s, and his last grand "hurrah" on early television, in addition to examples of Cantor's fervid dedication to Jewish causes throughout his career.
机译:在过去的五十多年中,娱乐偶像埃迪·坎特(Eddie Cantor)出演了杂耍杂耍,百老汇音乐喜剧,电影,广播和电视,并制作了他最著名的歌曲的唱片并出版了最畅销的自传。广播是1930年代和1940年代的Cantor和其他艺人和政治人物可以通过其文化上最具影响力的渠道之一,来向广大美国公众传达他们的观点和价值观。广播历史学家戴维·温斯坦(David Weinstein)(以前曾撰写过杜蒙电视网络的宝贵历史)有说服力地指出,康托尔对犹太民族和宗教身份的承诺和自豪,以及对政治和公民行动主义的参与,对他的职业生涯和表演至关重要个性。这本书描绘了康托尔(Cantor)的生平,从1892年出生到纽约市下东城的东欧犹太移民社区的童年时代,以及他在业余夜场表演中的才能发展以及作为歌手和歌手的早期经历1910年代的杂耍杂耍表演。随后的章节讨论了康托尔在百老汇音乐喜剧中成功崛起的“大时代”和1920年代的齐格菲评论,在1930年代和1940年代在广播和电影界成名,并在1950年代初期在电视上工作。温斯坦深入研究档案资料,娱乐贸易新闻,犹太文化和美国历史。坎托的职业故事以丰富的历史掘金为特色,例如对坎托与亚瑟和贝迪尼杂技团合作的形成经历的讨论,他在齐格菲的演出中表现不佳,他对亨利·福特在1920年代的种族偏见的公开批评以及反犹太主义对国际扩张的恐惧在1930年代,他的最后一部盛大的《 hurrah》在早期的电视上播出,此外还列举了康托尔在整个职业生涯中对犹太人事业的热忱。

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