首页> 中文期刊> 《重庆文理学院学报(社会科学版)》 >非遗保护背景下的傩堂戏掌坛师及其传承行为刍议--傩堂戏传承人研究之二

非遗保护背景下的傩堂戏掌坛师及其传承行为刍议--傩堂戏传承人研究之二

         

摘要

在非物质文化遗产保护背景下,傩堂戏掌坛师在保持其原有社会角色的同时,或被确定为国家级、省级非物质文化遗产项目传承人,或被市、县等政府授予荣誉称号。这些身份和荣誉促使掌坛师对自身掌握的技艺有了不同程度的文化自觉,增强了传承文化的使命感,进而促使他们在传承傩堂戏时有了更多的责任担当和更明显的能动性发挥。%Under the background of intangible culture heritage protection, while the masters of Nuotang drama still keep the origi-nal social role, they are appointed as the inheritors of national and provincial intangible culture project, or are granted the honor-able title by the city or county. The titles and reputations encourage the masters’ culture self-consciousness for their technology and skill, and enhance the responsibilities to inherit the culture, in order to urge them to have more responsibilities and obvious initiative exertion.

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