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The Protection and Inheritance of Liaozhai Folk Songs

机译:辽东民歌的保护与遗传

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Liaozhai folk songs are easy-to-read dialect adapted from many stories in Strange Tales from a Chinese Studio by Pu Songling, a great litterateur and king of the short story in the late Ming and early Qing Dynasties, which matched with the popular folk songs in the Zichuan area in the Ming and Qing Dynasties, and are a large telling and singing story. After three hundred years of the vicissitudes of life, Liaozhai folk songs became decadent from prosperity. Since the 1950s and 1960s, musicians and government departments have not stopped rescuing and protecting them, including the arrangement of tunes, the creation of new plays and the cultivation of folk songs talents. Under the background of social transformation, how to get the better inheritance and development of Liaozhai folk songs through open and inclusive attitude is the common thinking of music workers.
机译:辽东民歌是易于阅读的方言,从普隆的一个陌生故事中的奇怪故事,由普鸣,李诗,明清早期的短篇小说中的短篇小说,与流行民间歌曲相匹配在明清淄川地区,是一个大的讲和唱歌的故事。经过三百年的沧桑生命,辽寨民歌从繁荣中变得颓废。自20世纪50年代和20世纪60年代以来,音乐家和政府部门并没有停止救援和保护它们,包括曲调的安排,创造新的戏剧和民歌人才的培养。在社会转型的背景下,如何通过开放和包容性态度获得更好的辽东民歌的遗产和发展是音乐工人的常见思考。

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