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Aesthetic Comparison between Chinese and Western Classical Gardens

机译:中西古典花园的审美比较

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The establishment of Chinese garden aesthetics can be traced back to the era of the Wei (220-265 A.D.), Jin (265-420 A.D.) and the Southern and Northern dynasties (420-589 A.D.). The specific historical conditions forced the literati-official class to ignore politics, indulge themselves to natural landscape and express their feelings in the natural beauty of lakes and mountains, making Chinese gardening full of randomness and occasionally. If we make a general survey of the garden, we will find that the layout is always changing, and there is not strict subordinate relationship between the whole and the part; the structure is very loose without regulation to follow. In the west, the ancients believed that art originated from the coordination of quantities, so they can produce the beauty as long as they adjust the proportion of quantities well. It is important in the art that the structure must be as clear, definite and logical as mathematics. So they calculated the beauty with numbers, trying to find out the most beautiful form and proportion in an attempt to use mathematical formulas to show.
机译:中国园林美学的建立可以追溯到魏(220-265 A.D.),金(265-420 A.D.)和南部和北朝(420-589 A.D.)的时代。具体的历史条件迫使文人官方课程忽视政治,沉迷于自然景观,表达自己在湖泊和山脉自然美景中的感受,使中国园艺充满随机性和偶尔。如果我们对花园进行一般性调查,我们会发现布局总是变化,整个和部分之间没有严格的从属关系;在没有调节的情况下,结构非常松动。在西方,古人认为艺术来自数量的协调,因此他们可以产生美丽,只要它们调整井的比例很长。本领域非常重要,即该结构必须像数学一样清晰,明确和逻辑。所以他们计算了数字的美,试图找出最美丽的形式和比例,试图使用数学公式来表现出来。

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