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On Unpretentious Aesthetic of Eastern and Western Painting Colors

机译:论东方和西方绘画颜色的无力审美

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摘要

The color language, as a significant element in painting, enjoys strong art expressive force and produces an effect to evoke emotional resonance instantly. The color application of the western painting shares the same expressive way with the subject and simple color pursuit of Chinese traditional ink painting. Artists from both western countries and China are exploring the infinity from the limited colors. The unpretentious color language is characteristic of unpretentiousness, gentleness, reserve and imagination which are similar with ink's features. Since the similarity, the unpretentious color language keeps a foothold in the Chinese painters' palette and greatly matches with Chinese spiritual imagination's color. In this art age of chasing fame and fortune, it is the unpretentious color language that modern artistic works need to draw on and inherit. We need to review the color expression in modern eastern and western paintings, explore the infinity from the limited colors and develop our creative practice.
机译:作为绘画中的一个重要元素的色语,享有强烈的艺术表现力,并产生了一种立即唤起情绪共鸣的效果。西方绘画的颜色应用与中国传统油墨绘画的主题和简单的颜色追求相同的表达方式。来自西方国家和中国的艺术家正在从有限的颜色探索无限远。彻底的色彩语言是不倾向,温柔,储备和想象的特征,类似于墨水的功能。自从相似之处以来,未持久的色彩语言在中国画家的调色板中保持立足点,与中国精神想象力的颜色大大匹配。在这个追逐名利和财富的艺术时代,它是现代艺术作品需要绘制和继承的不稳定色语。我们需要查看现代东部和西方绘画中的颜色表达,探索有限色彩的无限远,培养我们的创作练习。

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