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SOLAR AESTHETICS AND URBAN DESIGN PROPOSALS FOR ARTISTIC BIPV

机译:艺术BIPV的太阳美学和城市设计建议

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We understand aesthetics as an operational concept. Inside the rich history of aesthetics we propose to work with the guideline of a 'fact-finding' aesthetics which had been developed among others by the artist Francois Molnar, former Secretary General of the International Association of Experimental Aesthetics. The work of art should be defined "as something which belongs to the spatio-temporal world". The picture - or in our terms the aesthetically designed PV module -^s"is an extensive secondary light source, capable of realising in the spectator a sympathetic response (aesthetic). With this definition it is possible to study the picture (i.e. solar module) on three levels: 1. As a physical object; a source of radiating energy, measurable by a variety of physical procedures. 2. As an object perceived by a specific recipient: man. 3. As an object appreciated aesthetically by the same human receiver embedded in a socio-cultural environment."
机译:我们了解美学作为运营概念。在美学的丰富历史内,我们建议使用“实况调查”美学的指导方针,这些艺术家Francois Molnar是国际实验性审美协会秘书长的艺术家Francois Molnar。艺术品应定义为“作为属于时空世界的某些东西”。图片 - 或在我们的条件下,美学设计的PV模块 - ^ S“是一种广泛的二级光源,能够在观众中实现同情响应(美学)。通过这种定义,可以研究图片(即太阳能模块)在三个层面:1。作为物理对象;辐射能量的源泉,可通过各种物理程序可测量。2.作为特定收件人所感知的对象:男人。作为一个对象,作为一个人的对象是由同一人类美学的理智接收器嵌入在社会文化环境中。“

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