At Chicago's Dubhe Carreno Gallery last November, on a rainy, cold night, Tyler Lotz's sculptures glowed like neon signs in the front window. With their implied motion, his sculptures seem frozen in the "on" position-a bright, momentary flash before we blink and they change. These are not quiet sculptures. Slip-cast, repetitive forms resembling thick tubes of Styrofoam twist rhythmically into abstract compositions. Monochromatic, almost acidic, neon hues of green, blue, red, orange or yellow acrylic paint coat the tubes.
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