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Farm boys and wild men: rurality, masculinity, and homosexuality.

机译:农场男孩和野人:乡村,男性气概和同性恋。

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This paper explores cultural constructions of 'rural gay masculinity' focusing first on the stereotype of the 'rustic sodomite' seen in a number of Hollywood movies; second, on the construction of an idyllic Eden in the gay imaginary; and third, ongendered and sexualised performances among members of the men's movement and the 'radical fairies'. In doing so, it suggests how the rural/urban divide is meshed, in complex and distinct ways, with homosexual/heterosexual and masculine/feminine dichotomies in cultural texts and practices. Set against these representations, of course, are the lives of homosexual men born and raised in the country: the paper discusses accounts of the lives of 'farm boys' as a way of contextualizing and complexifying the dominant modes of representation outlined. In all of these portrayals, 'rural gay masculinity' is figured in distinct ways, especially in relation to urban effeminacy. The paper ends by calling for further exploration of these issues in an effort to morefully theorize the cultural meanings and experiences of 'rural gay masculinity'.
机译:本文探讨了“农村同性恋男子气概”的文化建构,首先着眼于好莱坞电影中所见的“乡村鸡奸”的刻板印象。其次,在同性恋假想中建造田园诗般的伊甸园;第三,在男性运动和“激进的仙女”中,男女之间没有性别的表演。通过这样做,它暗示了农村/城市鸿沟如何以复杂而独特的方式与文化文本和习俗中的同性恋/异性恋和男性/女性二分法相结合。当然,反对这些表现形式的是该国出生和成长的同性恋者的生活:本文讨论了“农场男孩”生活的叙述,作为一种背景化和复杂化概述的主要表现方式的方式。在所有这些描述中,“农村同性恋男性气质”的体现方式截然不同,尤其是在城市女性气质方面。最后,本文呼吁进一步探讨这些问题,以期更加理论化“农村同性恋男性化”的文化含义和经验。

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