River Dog: Re-imagining and re-representing the environment and de-idealising the rural in New Zealand film

摘要

The depiction of pristine countryside in New Zealand film has engendered a cultural disconnection with the environmental stories within the landscape. In this essay, we briefly examined the meaning of rural New Zealand landscape and its role in film. This research was done in part by making a short documentary, River Dog, a film about the rural New Zealand landscape. The character, plot and underlying message of River Dog were framed within visually relevant archetypes to form a constructive environmental message. Here, we examined River Dog's use of empathetic storytelling, an approach used to communicate an environmental issue without promulgating science or politics.