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'Every boy & girl a scientist' - Instruments for children in interwar Britain

机译:“每个男孩和女孩都是科学家”-两次世界大战期间英国的儿童乐器

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摘要

Historians of science have identified toys as part of their subject's material culture, but there has been little exploration of the production and use of educational or playful objects. Moreover, academic writing on science for children has focused on the eighteenth and nineteenth centuries. This essay argues that our understanding of historical science education can be enhanced by exploring twentieth-century instruments. It uses the example of Construments sets, with which children could build a wide variety of optical instruments from a series of standardized parts. Invented by C. W. Hansel, a school science master, Construments were founded in and responded to contemporary educational practices and debates over "general science," as well as addressing characteristic interwar concerns about adaptability and economy and older ideals of rational entertainment. By exploring the company's instruments, promotional literature, and magazine, and by drawing on the memories of contemporary users, I reconstruct the contexts in which Construments were used, emphasizing the creation of heterogeneous communities vital for the transmission of skills and knowledge.
机译:科学史学家已将玩具视为其主体物质文化的一部分,但对教育和娱乐性物品的生产和使用却很少进行探索。此外,关于儿童科学的学术著作集中在18世纪和19世纪。本文认为,通过探索二十世纪的工具,可以增进我们对历史科学教育的理解。它使用了Construments集的示例,孩子们可以用它们从一系列标准化的零件中构建出各种各样的光学仪器。由学校科学硕士C. W. Hansel发明的Construments成立于当代教育实践中,并回应了有关“一般科学”的辩论,并解决了战争期间关于适应性和经济性以及理性娱乐的较早理想的典型担忧。通过探索公司的乐器,促销文献和杂志,并利用当代用户的记忆,我重构了使用Construments的环境,强调了创建对传递技能和知识至关重要的异构社区。

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