首页> 外文期刊>Bonsai & stone appreciation magazine >Advancing Stone Appreciation through Professional Stone Collectors:A Look at Ken McLeod, one of North America's Premier Stone Collectors.
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Advancing Stone Appreciation through Professional Stone Collectors:A Look at Ken McLeod, one of North America's Premier Stone Collectors.

机译:通过专业的石材收藏家提高石材鉴赏:看看北美顶级石材收藏家之一肯·麦克劳德。

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摘要

Collecting and appreciating stones as natural objects of art in western countries is relatively new, a phenomenon that has been developing slowly, especially since the 1950s. Stone appreciation, like the art of bonsai and penjing, has been strongly influenced by Chinese and Japanese traditions in North America, Europe and other Western countries.The development of stone appreciation hobby outside of China and Japan requires several essential components: basic information and expertise to guide development; the availability of suitable material; and opportunities to share through exhibits, publications, and web sites. While a few Chinese stones were introduced first in North American in the early 1900s and, perhaps, Europe; Western countries have been more strongly influenced by Japanese guidelines for collecting, evaluating, and displaying stones.Japanese Americans were among the first to begin to explore some of the river systems in California in the early 1960s. They were soon followed by a number of Caucasian Americans who were interested in rocks, minerals, and in Asian stone appreciation.Small clubs went in search of Japanese-like stones for the fledgling stone appreciation culture in North America. Most of the stone collecting was individuals searching for interesting pieces for their personal collections. Much of the initial collecting occurred along the western coast and western mountains of North America. Many wonderful, dark, landscape type stones were found in the Eel River in northern California. Some of these serpentine or basaltic stones resembled in shape, the beautiful stones found in some Japanese rivers. People located in less suitable areas for finding quality stones or who were unable to search areas, were largely left out of opportunities to acquire stones as a hobby. This limited the supply of North American stones and also limited the growth of the hobby of stone appreciation.
机译:在西方国家,收集和欣赏作为自然艺术品的石材相对较新,这种现象发展缓慢,特别是自1950年代以来。像盆景和盆景艺术一样,石材鉴赏受到北美,欧洲和其他西方国家的中国和日本传统的强烈影响。中国和日本以外地区石材鉴赏爱好的发展需要几个基本要素:基本信息和专业知识指导发展;是否有合适的材料;以及通过展览,出版物和网站分享的机会。在1900年代初,也许是在欧洲,首先在北美引入了一些中国宝石。西方国家受到日本关于收集,评估和展示石头的准则的影响更大。1960年代初期,日裔美国人是最早开始探索加利福尼亚某些河流系统的人之一。紧随其后的是一些对岩石,矿物和亚洲石材鉴赏感兴趣的高加索美国人。小型俱乐部寻找日本式的石材来探索北美新兴的石材鉴赏文化。收集的大多数石头都是个人在寻找有趣的作品作为他们的个人收藏。最初的收集工作大部分发生在北美的西海岸和西部山区。在加利福尼亚州北部的鳗鱼河中发现了许多奇妙的深色景观类型的石头。这些蛇纹石或玄武岩中的一些形状类似于日本河流中发现的美丽宝石。位于不太适合寻找优质石头的地区的人或无法搜索区域的人们在很大程度上没有机会获得石头作为嗜好。这限制了北美石材的供应,也限制了石材增值爱好的增长。

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