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首页> 外文期刊>Journal of molecular cell biology >Engaging ancient tragedy: Troy falls again in Jean Racine’s Andromaque
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Engaging ancient tragedy: Troy falls again in Jean Racine’s Andromaque

机译:从事古老的悲剧:特洛伊在Jean Racine's Andromaque上摔倒了

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That Jean Racine received excellent training in Greek and Latin as a young man and remained an avid reader of ancient literature well into his career is well established, but underappreciated is his adaptation of allusive techniques employed by the Roman poets. I aim to demonstrate how Racine creatively interprets scenes in the tragedies of Seneca and Euripides to carve out a space for his story within the parameters delineated by his ancient predecessors. In so doing he practices to great effect poetic techniques primarily associated with the Augustan poets. These include ‘window references’, or intertextual allusions that serve to direct a reader back to the source of a model (Thomas), and ‘Alexandrian footnotes’, wherein a poet signposts his engagement with preceding texts by appealing to tradition or past report (Ross, Hinds). With the employment of such stylistic techniques, Racine grafts his own version of the fall of Troy myth onto frameworks established by the ancient tragedians and reinterprets earlier versions of the story in light of his own contribution to the narrative.
机译:那个Jean Racine在希腊和拉丁语中获得了优秀的培训,作为一个年轻人,仍然是古代文学的狂热读者,他的职业生涯很成熟,但受到了罗马诗人所雇用的缤纷技巧的适应。我的目标是展示Sacine如何创造性地解释SeNeca和Euripides的悲剧中的场景,为他的古老前任划定的参数中的故事中的故事中的一个空间。在这样做,他对主要与奥古斯坦诗人相关的巨大疗养诗歌技术。这些包括“窗口引用”或用于将读者引导回模型(托马斯)的源(托马斯)和“亚历山大脚注”的互文暗示,其中诗人通过吸引传统或过去的报告(罗斯,后面)。随着这样的传感器技术的就业,RACINE将他自己的版本的特洛伊神话陷入古老的悲剧人士建立的框架,并根据他对叙述的贡献,重新诠释了这些故事的早期版本。

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