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The Sage, Hall One Ian Cook

机译:圣贤,一号厅伊恩·库克(Ian Cook)

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摘要

lAN'S photograph of Hall One at The Sage, a Norman Foster-designed music venue in Gateshead, Tyne and Wear, is a great example of how lines can be used to direct the viewer within an image. In this instance, the lines are about as obvious as they could be: there's no avoiding the neon-pink/red lines darting in from the edges of the frame. However, lan's choice of an 11 mm focal length has also had a huge part to play, with the super-wide focal length - a mere 16.5mm equivalent - allowing him to squeeze as much of the acidic lighting into the frame as possible. A tighter crop (as if using a longer focal length) just doesn't have the same impact.
机译:兰恩(LAN)在The Sage的Hall一厅的照片,这是由诺曼·福斯特(Norman Foster)设计的在盖茨黑德,泰恩和威尔郡(Tear and Wear)设计的音乐场所,是如何使用线条在图像中指引观看者的一个很好的例子。在这种情况下,线条尽可能地清晰可见:无法避免霓虹粉色/红色线条从框架的边缘飞入。但是,lan选择11毫米焦距也起了很大的作用,超宽焦距-仅相当于16.5毫米-允许他将尽可能多的酸性照明灯挤入框架中。收紧作物(好像使用更长的焦距)不会产生相同的影响。

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