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Adding 'something more' to looking: the interaction of artefact, verbiage and visitor in museum exhibitions

机译:向寻找添加“更多”:博物馆展览中人工制品,武装,武装和访客的互动

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摘要

Around the world, museums dedicate enormous resources to developing exhibitions with the aim of making their collections and knowledge accessible to broad public audiences. Interpretive texts, both spoken and written, play an important role in this endeavour, underpinned by the belief that they will add 'something more' to the experience gained by looking alone. But is this belief justified? This article draws on recent theoretical developments in systemic functional linguistics (SFL) and multimodal semiotics to explore the complexity of meanings and relations involved in the interaction between (verbal) text, displayed artefact and visitor in an art exhibition and a history exhibition. Focusing on two key dimensions, vergence and presence, it shows how the texts work in very different ways to shape visitor experience, both in terms of scaffolding the interaction and in adding meaning to the encounter. It proposes the idea of 'verbal vectors' that are gradable in strength as a feature that explicitly 'motivates' visitors to look at the displayed artefacts and the idea of 'shell' vectors as a particular feature of texts in art exhibitions.
机译:世界各地,博物馆致力于开发展览的巨大资源,目的是使他们的集合和知识能够获得广泛的公共观众。口语和书面的解释性文本在这一努力中发挥着重要作用,通过相信他们将在单独看的经验中增加“更多”的经验。但这是证明是否有理由?本文借鉴了系统功能语言学(SFL)和多模式符号学的最近理论发展,探讨了艺术展和历史展览中(口头)文本,展出的人工制品和访客之间互动的含义和关系的复杂性。专注于两个关键维度,挣和存在,它表明了文本如何以非常不同的方式制定访客体验,无论是在脚手架的互动和增加遇到意义方面。它提出了“口头向量”的想法,以实力逐渐渐变,作为一个明确地“激励”观众观察展示的人工制品和“壳牌”向量的想法作为艺术展览中文本的特定特征的特征。

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