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首页> 外文期刊>Vibrational Spectroscopy: An International Journal devoted to Applications of Infrared and Raman Spectroscopy >Spectroscopic analysis of pigments and inks in manuscripts: I. Byzantine and post-Byzantine manuscripts (10-18th century)
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Spectroscopic analysis of pigments and inks in manuscripts: I. Byzantine and post-Byzantine manuscripts (10-18th century)

机译:手稿中的颜料和油墨的光谱分析:I.拜占庭和拜占庭后手稿(10-18世纪)

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Pigments and inks used in six Byzantine manuscripts (covering the period from 10th to 15th century) and one 18th century post-Byzantine manuscript have been analyzed, using micro-Raman spectroscopy, ATR-FT-infrared spectroscopy and SEM-EDS. Micro-Raman spectroscopy allowed fast and in situ analysis of majority of pigments and inks used, except for the purple-red organic pigment, brown-purple ink and metallic pigments (silver and gold). The nature of the organic purple-red pigment and organic purple ink was revealed applying ATR-FT1R. In the analysis of the metallic pigment (silver and gold) as well as additional technique in characterizing organic purple-red dye and ink, SEM-EDS was used. Varieties of inks were used in the manuscripts. Gold and silver inks were used for capital letters and for emphasizing certain paragraphs. Red ink was identified as madder in illuminated manuscripts and as vermilion in simple texts. Gall ink was identified as black-brown ink in most of the manuscripts. In 18th century manuscript logwood was identified while in the 12th century manuscript, goethite was used as ink. The analysis of the pigments and inks revealed that over the course of 5 centuries, the pigments used for decoration in Byzantine manuscripts remained similar and traditional (mineral and organic), with pronounced variations in the 18th century post-Byzantine manuscript.
机译:使用微拉曼光谱法,ATR-FT-红外光谱和SEM-EDS,在六个拜占庭稿件中使用的颜料和油墨(覆盖10至15世纪)和18世纪的拜占庭式手稿。微拉曼光谱允许快速和原位分析大多数颜料和油墨,除了紫红色有机颜料,棕紫色油墨和金属颜料(银和金)。揭示了有机紫红色颜料和有机紫色油墨的性质施用ATR-FT1R。在分析金属颜料(银和金)以及表征有机紫红色染料和油墨时的附加技术,使用SEM-EDS。在手稿中使用品种墨水。黄金和银墨水被用于大写字母,并强调某些段落。红色墨水被识别为照明手稿和简单文本中的朱砂。在大多数手稿中被鉴定为黑褐色墨水。在18世纪的稿件Logwood被确定在12世纪的手稿中,甲石用作墨水。颜料和油墨的分析显示,在5世纪的过程中,用于拜占庭稿件的装饰的颜料保持类似,传统(矿物质和有机),在18世纪后拜占庭手稿的明显变化。

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