首页> 外文期刊>European Journal of Glass Science and Technology, PartA. Glass Technology >Thomas Jervais and the East Window of Agher Parish Church, County Meath, Ireland
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Thomas Jervais and the East Window of Agher Parish Church, County Meath, Ireland

机译:Thomas Jervais和Agher Parish教堂的东部窗口,郡Meath,爱尔兰

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The East Window of Agher Parish Church, County Meath in the Republic of Ireland contains a rare survival of a stained glass window by Dublin born artist Thomas Jervais. The window depicting St Paul preaching to the Athenians (after Raphael) was made in 1770 for the Wellesley family home at Dangan Castle, Summerhill, however it was relocated into the nearby church at Agher following a fire, which led to the abandonment of the house in 1809. Jervais was to relocate to London later in 1770, where he spent the rest of his life and gained celebrity for his association with Sir Joshua Reynolds, for whom he painted the West Window of New College Chapel, Oxford in 1778. Jervais was also to be commissioned as glass painter to King George III in 1780, undertaking the painting of the East Window of St George's Chapel, Windsor (now destroyed). Conservation of the East Window of Agher by the York Glaziers Trust in 2016 has revealed fascinating new insights into the early work of this artist. Jervais' approach to glass painting at this stage appears to be experimental and perhaps self taught. Fired paint is complemented by cold paint, multiple layers of glass are used to enhance and intensify tone and colour and evidence has been found for highly unusual applications of silver stain. Jervais appears to have had only a limited range of glasses and materials at his disposal in the making of the window. The glass is predominantly clear, extremely thin and with numerous problematic contortions in its shape, which necessitated a great deal of creativity in its assembly. This paper will highlight the conservation challenges and the technical fabrication of this remarkable window. It will further describe the context of the work of this little known and under-appreciated artist from a chapter of the art history of Ireland that has been to a large degree unwritten and over-shadowed by interest in the Irish artists of the Arts and Crafts movement.
机译:吉尔教区教堂的东部窗口,爱尔兰共和国的郡母鸡藏起由都柏林出生的艺术家托马斯·杰维斯的彩色玻璃窗的罕见生存。描绘圣保罗向雅典人(Raphael之后)的窗口于1770年为Dimanhill,Summerhill的Wellesley Family Home作出,然而,在火灾之后,它被搬进到附近的教堂,这导致了遗弃了房子的遗忘1809年,Jervais于1770年后稍后将搬迁到伦敦,在那里他的生命余下和Joshua Reynolds爵士的协会获得了名人,他在1778年为他绘制了新学院教堂的西部窗户.Jervais是还将作为玻璃画家委托1780年作为玻璃画家委托给乔治三世,承担了St George's Chapel的东部窗口的绘画,温莎(现在被摧毁)。约克玻璃吉斯的东视窗口在2016年信任的守恒揭示了这位艺术家早期工作的新见解。 Jervais在这个阶段的玻璃绘画方法似乎是实验性的,也许是自学的。燃烧涂料通过冷涂料补充,多层玻璃用于增强和加强音调和颜色,并发现了对银色的高度不寻常的应用。 Jervais似乎只有一个有限的眼镜和材料,在窗户制作时使用。玻璃主要透明,极薄,其形状有许多有问题的扭曲,这需要大量的创造力。本文将突出保护挑战和技术的技术制造。它将进一步描述来自爱尔兰的艺术史的一章,这是一个众所周知的和不受欢迎的艺术家的背景,这是一段大学,这是由艺术和工艺品的爱尔兰艺术家兴趣的大程度和过度阴影移动。

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