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Challenges of practicing digital imaginaires in collaborative museum design

机译:在协作博物馆设计中练习数字想象的挑战

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The main objective of this article is to reflect upon the integration of digital media in museums by analysing how the digital is imagined and practised in co-design processes at three Danish art museums. With conceptual reference to Flichy's 'imaginaire', we analyse project descriptions written by project participants to obtain funding. The project descriptions represent initial collective visions and reveal imaginations about the capabilities of digital technology. We find that two categories of imaginaires are similar across the cases and we analyse ethnographic data to identify challenges of practicing these. Our findings suggest that challenges mostly emerge in co-design activities or when such activities are not prioritised. The article concludes with reflections on the integration of digital media in museums and the paradoxical nature of the collective project vision as both a necessary driver and constrainer of collaborative museum design.
机译:本文的主要目标是通过分析三个丹麦艺术博物馆的共同设计过程中的数字化和实践数字媒体在博物馆中融入数字媒体。 概念参考Flichy的“Imaginaire”,我们分析项目参与者撰写的项目描述以获得资金。 项目描述代表了初步的集体愿景,并揭示了关于数字技术能力的想象。 我们发现两类Imagiinaires在案例中相似,我们分析了民族志的数据,以确定练习这些的挑战。 我们的调查结果表明,挑战主要出现在共同设计活动或这些活动未优先考虑时。 本文审略了关于博物馆中数字媒体整合的思考以及集体项目愿景的矛盾性质,作为协作博物馆设计的必要驾驶员和约束。

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