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Visual Storytelling and Socioenvironmental Change: Images, Photographic Encounters, and Knowledge Construction in Resource Frontiers

机译:视觉讲故事和社会环境变化:资源前沿的图像,摄影遇到和知识建设

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摘要

Practices of visually representing places of resource extraction and land degradation can be deeply contentious, embedded in a wide variety of values, ethics, goals, and relations. Photographs are pervasively used to generate narratives about environmental change, particular social groups, and places. Yet, the sociocultural processes and power relations at play in producing "visual knowledge" and interpreting images often remain underexplored, with limited attention to how photographs and visual storytelling are engaged to (re)orient discussions about change. Challenging ways of seeing, this article discusses relational practices around photography and the narrating, experiencing, and circulating of images. It explores experiences with photovoice-a methodology aimed at realigning the dynamics of who decides what photos matter, how, why, and with what implications, sometimes pitched as a way to "decolonize" research. The study examines interactions in a village in Central Kalimantan, Indonesia, where women shared visual stories to express challenges they face in relation to deforestation and other landscape changes, depleted gold deposits, limited livelihood options, and other themes, conveying place histories and ideas about home, identity, governance, and community. Reflecting on intergenerational dialogues and anxieties about the future, the analysis considers photovoice processes in refracting everyday struggles, arguing for feminist epistemologies that carefully attend to the situated ethics and contingent performative powers of visual storytelling where multiple forms of resource extraction powerfully shape community life. The article calls for greater focus on women's place-based storytelling and its communicative power, highlighting the significance of positionality when studying socioecological visualization, affect, and change. Key Words: feminist visualization, Indonesia, participatory visual methods, photovoice, resource extraction.
机译:视觉上代表资源提取和土地退化的实践可以深入争议,嵌入在各种价值观,伦理,目标和关系中。普遍存在的照片普遍用于生成关于环境变革,特定社会群体和地点的叙述。然而,在制作“视觉知识”和解释图像中发挥的社会文化流程和权力关系通常仍然是曝光率的,有限地关注照片和视觉讲故事如何与(重新)导向有关改变的讨论。具有挑战性的看法,本文讨论了摄影周围的关系实践以及图像的叙述,体验和流传。它探讨了Photovoice的经验 - 一种方法论旨在重新调整谁决定的动态,谁决定了什么,为什么,为什么和如何影响,有时候是“解构”研究的一种方式。该研究审查了印度尼西亚卡利马丹中部的一个村庄的互动,其中妇女共享视觉故事,以表达与森林砍伐和其他景观变化相比,耗尽金存款,有限的生计选项和其他主题,传达地点历史和思想所面临的挑战家庭,身份,治理和社区。反思关于未来的代际对话和焦虑,分析考虑了折射日常斗争中的Photovoice进程,争论女性主义认识学,仔细参加了视觉讲故事的伦理和特遣队的演奏权,其中多种形式的资源提取了丰富的社区生活。文章要求更多地关注女性的基于地方的讲故事及其交际能力,突出了学习社会心科可视化,影响和改变时定位性的重要性。关键词:女权主义可视化,印度尼西亚,参与式视觉方法,光吞,资源提取。

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