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Exploring RGB-D Cameras for 3D Reconstruction of Cultural Heritage: A New Approach Applied to Brazilian Baroque Sculptures

机译:探索RGB-D相机3D文化遗产的重建:一种应用于巴西巴洛克式雕塑的新方法

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摘要

RGB-D cameras have a great potential to solve several problems arising during the digitization of objects, such as cultural heritage. Three-dimensional (3D) digital preservation is usually performed with the use of high-end 3D scanners, as the 3D points generated by this type of equipment are in average millimeter up to sub-millimeter accurate. The downside of 3D scanners, in addition to the high cost, is the infrastructure requirements. It requires its own source of energy, a large workspace with tripods, special training to calibrate and operate the equipment, and high acquisition time, potentially taking several minutes for capturing a single image. An alternative is the use of low-cost depth cameras that are easy to operate and only require connection to a laptop and a source of energy. There are several recent studies showing the potential of RGB-D sensors. However, they often exhibit errors when applied to a full 360 degrees 3D reconstruction setup, known as the loop closure problem. This kind of error accumulation is intensified by the lower accuracy and large volume of data generated by RGB-D cameras. This article proposes a complete methodology for 3D reconstruction based on RGB-D sensors. To mitigate the loop closure effect, a pairwise alignment method was developed. The proposed approach expands the connectivity graph connections in a pairwise alignment system, by automatically discovering new pairs of meshes with overlapping regions. Then the alignment is more evenly distributed over the aligned pairs, avoiding the loop closure problem of full 3D reconstructions. The experiments were performed on a collection of 30 artworks made by the Baroque artist Antonio Francisco Lisboa, known as Aleijadinho, as part of the Aleijadinho Digital project conducted in partnership with IPHAN (Brazilian National Institute for Cultural and Artistic Heritage) and United Nations Educational, Scientific and Cultural Organization (UNESCO). Experimental results show 3D models that are favorably compared to state-of-the-art methods available in the literature using RGD-D sensors. The main contributions of this work are: a new method for 3D alignment dedicated to attenuate the RGB-D camera loop closure problem; the development and disclosure of a complete, practical solution for 3D reconstruction of artworks; and the construction of 3D digital models of an important and challenging collection of Brazilian cultural heritage, made accessible by a virtual museum.
机译:RGB-D相机具有巨大的潜力,可以解决在物体数字化期间产生的几个问题,例如文化遗产。通常使用高端3D扫描仪进行三维(3D)数字保存,因为这种类型的设备产生的3D点平均毫米高达亚毫米准确。除了高成本之外,3D扫描仪的缺点是基础设施要求。它需要自己的能源来源,一个大型工作空间,带三脚架,特别培训来校准和操作设备,以及高采集时间,可能需要几分钟捕获单个图像。替代方案是使用易于操作的低成本深度相机,只需要连接到笔记本电脑和能量源。最近有几项研究表明RGB-D传感器的潜力。但是,当应用于完整的360度3D重建设置时,它们通常会出现错误,称为环路闭合问题。通过RGB-D相机产生的较低的精度和大量数据,加强这种误差累积。本文提出了基于RGB-D传感器的3D重建的完整方法。为了减轻环闭合效果,开发了一种成对对准方法。所提出的方法通过自动发现具有重叠区域的新网格对的成对对齐系统中的连接性图形连接。然后,对准对对准更均匀地分布在对齐的对上,避免完整3D重建的环路闭合问题。该实验是在由Baroque Attist Antonio Francisco Lisboa制造的30件艺术品的集合中进行,作为Aleijadinho,作为与IPhan(巴西国家文化和艺术遗产学院)和联合国教育协同合作开展的Aleijadinho数字项目的一部分,科学和文化组织(教科文组织)。实验结果表明,与使用RGD-D传感器的文献中可用的最先进方法相比,3D模型。这项工作的主要贡献是:一种新方法,用于验证RGB-D相机环关闭问题的3D对齐;艺术品三维重建的完整,实用解决方案的开发与披露;以及建设巴西文化遗产的重要挑战集中的3D数字模型,由虚拟博物馆无障碍。

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