Ab'/> A non-destructive spectroscopic study of the decoration of archaeological pottery: from matt-painted bichrome ceramic sherds (southern Italy, VIII-VII B.C.) to an intact Etruscan cinerary urn
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A non-destructive spectroscopic study of the decoration of archaeological pottery: from matt-painted bichrome ceramic sherds (southern Italy, VIII-VII B.C.) to an intact Etruscan cinerary urn

机译:一种非破坏性的考古陶器装饰的光谱研究:从亚光涂漆的比色米陶瓷陶瓷(意大利南部,viii-vii b.c.)到完整的etruscan cinerary urn

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AbstractA study is presented based on the use of entirely non-destructive spectroscopic techniques to analyze the chemical composition of the painted surface layer of archaeological pottery. This study aims to define both the raw materials and the working technology of ancient potters. Energy-dispersive X-ray analysis, micro-Raman spectroscopy, visible and near infrared (NIR) diffuse reflection spectroscopy and external reflection Fourier-transform infrared (FTIR) spectroscopy were applied to matt-painted bichrome pottery sherds (VIII-VII century B.C.) from the site of Incoronata near Metaponto in southern Italy. Two different raw materials, ochre and iron-rich clay, were recognized for the red decoration, while the dark areas resulted to have been obtained by the so-called manganese black technique. In any case, it was demonstrated that the decoration was applied before firing, in spite of its sometimes grainy aspect that could suggest a post-firing application. For the samples with a more sophisticated decorative pattern a red/black/white polychromy was recognized, as the lighter areas correspond to an “intentional white” obtained by the firing of a calcium-rich clay. Reflection spectroscopy in the visible-NIR and mid-IR as well as micro-Raman spectroscopy were then employed to characterize the decoration of an intact ceramic urn from the Etruscan town of Chiusi, evidencing a post-firing painting based on the use of red ochre, carbon black and lime, possibly imitating the “fresco” technique used in wall paintings.
机译:<![cdata [ 抽象 基于使用完全无损光谱技术来分析涂漆的化学成分来提出研究考古陶器的表面层。本研究旨在定义古代陶工的原材料和工作技术。能量分散X射线分析,微拉曼光谱,可见和近红外(NIR)弥漫性反射光谱和外反射傅立叶变换红外(FTIR)光谱应用于亚光涂漆的Bichrome陶器(VIII-VII世纪BC)从意大利南部Metaponto附近的Incoronata网站。两种不同的原料,赭石和富含铁的粘土,被认可为红色装饰,而黑暗区域导致已被所谓的锰黑技术获得。在任何情况下,都证明了装饰在烧制之前应用,尽管有时颗粒性方面可以提示射击后的应用。对于具有更复杂的装饰图案的样品,认识到红色/黑色/白色多圆形,因为较轻的区域对应于通过燃烧富含钙的粘土而获得的“有意的白色”。然后采用了可见NIR和MID-IR和MID-IR和MICR-RAMAN光谱中的反射光谱,以表征来自赫努斯的ETRUSCAN镇的完整陶瓷URN的装饰,证明了一种基于红赭石的射击后绘画,炭黑和石灰,可能模仿壁画中使用的“壁画”技术。

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