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Application of 3-dimensional microscopy and micro-CT scanning to the analysis of Magdalenian portable art on bone and antler

机译:三维显微镜和CT扫描技术在马格达莱尼亚便携式骨和鹿角艺术分析中的应用

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摘要

The appearance of portable artistic objects during the Upper Palaeolithic is characterised by a combination of a wide choice of techniques, use of different materials and a diversity of iconographic expression, with many objects made of bone and antler decorated with animal representations. Taphonomic and experimental approaches have been systematically applied in an effort to understand the technical and artistic procedures followed. In this study, we applied a new combination of 3-dimensional microscopy (focus variation optical microscope) and micro-CT scanning to the analysis of two Magdalenian engraved specimens: a reindeer antler from the site of Neschers (France), engraved with the partial image of a horse in left profile, and a horse metatarsal from Courbet Cave, Penne (France), engraved with a horse head also in left profile. Results of the analysis suggest that both the Neschers and Courbet Cave engravings had been prepared before being carved. The overall contours of the horse body/head were incised first, while anatomical features were added afterwards. In the Neschers case, the incision resulted from the repeated scratching of a previously made incision in order to enlarge the engraving, possibly reflecting the engraver's aesthetic sense. The combination of the techniques used in this study is applicable to fragile or unique archaeological specimens. Micro-CT scanning, in particular, provides non-invasive means for identifying engravings that are obscured by encrusted sediment. The application of these techniques can potentially open new avenues for the authentication, technical and gestural recognition and interpretation of incised forms and artistic creativity.
机译:在旧石器时代上,便携式艺术品的出现具有多种技术选择,不同材料的使用和多种图像表达的结合,其中许多用骨头和鹿角制成的物品都装饰有动物形象。为了理解所采用的技术和艺术程序,系统地应用了录音和实验方法。在这项研究中,我们将3维显微镜(聚焦变化光学显微镜)和micro-CT扫描的新组合应用到了两个马格达莱尼亚雕刻样品的分析:一个来自内谢尔(法国)的驯鹿鹿角,上面刻有部分左侧轮廓中的一匹马的图像,以及来自Penne(法国)库尔贝洞的马meta骨的图像,左侧轮廓中也刻有马头。分析结果表明,Neschers和Courbet洞穴的雕刻都在雕刻之前就已经准备好了。首先切开马身体/头部的整体轮廓,然后再添加解剖特征。在Neschers案中,该切口是由于反复刮擦先前制作的切口而导致的,以扩大雕刻效果,可能反映了雕刻师的审美观。在这项研究中使用的技术的组合适用于脆弱或独特的考古标本。尤其是,微CT扫描提供了一种非侵入性的手段,可以识别被沉积物掩盖的雕刻。这些技术的应用可能为切入形式和艺术创造力的认证,技术和手势识别以及解释开辟新的途径。

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