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Art and the theatre of mind and body: how contemporary arts practice is re-framing the anatomo-clinical theatre

机译:艺术与身心剧场:当代艺术实践如何重塑解剖临床剧场

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The correspondences and disparities between how artists and anatomists view the body have historically been a source of creative collaboration, but how is this imaginative interdisciplinarity sustained and expressed in a contemporary context? In this review I suggest that contemporary artists engaging with the body, and the corresponding biomedical and architectural spaces where the body is investigated, are engendering innovative and challenging artworks that stimulate new relationships between art and anatomy. Citing a number of examples from key artists and referencing some of my own practice-based research, I posit that creative cross-fertilization provokes a discourse between mediated public perceptions of disease, death and the disposal of morbid remains, and the contemporary reality of biomedical practice. This is a dialogue that is complex, rich and diverse, and ultimately rewarding for both art and anatomy.
机译:从历史上看,艺术家和解剖学家如何看待身体之间的对应关系和差异是创意合作的源泉,但是这种想象力的跨学科性如何在当代背景下得以维持和表达呢?在这篇评论中,我建议当代艺术家与人体互动,以及研究人体的相应生物医学和建筑空间,产生了创新和具有挑战性的艺术品,激发了艺术与解剖学之间的新关系。我以关键艺术家的一些例子为例,并参考了我一些基于实践的研究,我认为创造性的交叉受精会引起公众对疾病,死亡和病态残骸的处置的中介意识与生物医学的当代现实之间的对话。实践。这是一次复杂,丰富而多样的对话,最终对艺术和解剖学都是有益的。

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