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The cover. Red rose with ruby throat.

机译:封面。红玫瑰与红宝石的喉咙。

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Martin Johnson Heade's (1819-1904) naturalis-tic landscape paintings of birds and flowers elicit a sense of wonder. Unlike John James Audubon's wildlife paintings, Heade's paintings of birds evoke the landscapes tthey inhabit and draw the viewer into nature's timeless realm. These works exemplify his early training in art in rural Pennsylvania with local Quaker folk artist Edward Hicks, who sought to express the inner light that unites people and allows them to live in peace with one another. Hicks, a folk artist, exemplified the ideals of William Penn in his best-known painting The Peaceable Kingdom. Heade's oeuvre is a sophisticated examination of the theme of peacefulness in nature. He evokes the natural connectedness of all of life in his paintings by his choice of subject matter and use of light to create a sense of warmth and alert tranquility. In Red Rose With Ruby Throat (cover), Heade reveals two of nature's most beloved and poetic images: the hummingbird and the rose. Both have acquired symbolic meaning since humans began to speak of inspiration.
机译:马丁·约翰逊·海德(Martin Johnson Heade,1819-1904年)的自然花鸟风景画引起了一种惊奇。与约翰·詹姆斯·奥杜邦(John James Audubon)的野生动物画不同,海德(Heade)的鸟画唤起了他们所居住的风景,并将观赏者带入大自然的永恒境界。这些作品体现了他早期在宾夕法尼亚州乡村地区与Quaker民间艺术家Edward Hicks一起接受艺术训练的过程,他试图表达凝聚人心的内在光线,使人们彼此和平相处。希克斯是一位民间艺术家,在他最著名的画作《和平王国》中体现了威廉·佩恩的理想。赫德的作品是对大自然中和平主题的精妙考察。通过选择主题和使用光来营造温暖感和机敏的宁静感,他唤起了绘画中所有生命的自然联系。在《红宝石与红喉咙的玫瑰》(封面)中,海德揭示了大自然中最受人喜爱和诗意的两个图像:蜂鸟和玫瑰。自从人类开始谈论灵感以来,两者都已具有象征意义。

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