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The cover. Still life with yellow roses.

机译:封面。与黄色玫瑰的静物画。

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摘要

BURNISHED GOLD, THE TONE PROMINENT IN STILL LIFE With Yellow Roses (cover), resonates with luxury, old wealth, and the suggestion of turning autumn leaves. The simple arrangement, of loose flowers and household items, was painted in the European tradition by Danish native (Soren) Emil Carlsen (1853-1932). Carlsen spent most of his adult life in the United States; before settling in his midtown Manhattan home and studio, Carlsen studied in Paris, beginning in 1875. He revisited the French capital from 1884 to 1886 in between teaching stints in Chicago, at what would become the School of the Art Institute, and in San Francisco (the California School of Design). Like so many of his contemporaries, he absorbed the French Impressionist techniques that had their genesis in the late 1860s. Carlsen incorporated this fresh manner into his paintings, especially his landscapes (JAMA cover, April 9, 2008) and his marine paintings. However, Carlsen's primary French influence was the work of Jean-Baptiste-Simeon Chardin, the 18th-century master of still life painting.
机译:金黄色,静物鲜明的黄色玫瑰(封面)突出了奢华,古老的财富和秋天的落叶的共鸣。丹麦本地人(Soren)埃米尔·卡尔森(1853-1932)按照欧洲传统绘画了简单的花草和家居用品布置。卡尔森成年后的大部分时间都在美国度过;卡尔森(Carlsen)于1875年开始在巴黎中城定居,并于1875年开始在巴黎学习。他于1884年至1886年重新访问了法国首都,期间在芝加哥任教,后来成为艺术学院和旧金山(加利福尼亚设计学院)。像他的许多同时代人一样,他吸收了1860年代后期起源的法国印象派技术。卡尔森将这种新鲜的方式融入到他的画作中,尤其是他的风景(JAMA封面,2008年4月9日)和他的海洋画作。但是,卡尔森在法国的主要影响是18世纪静物画大师让·巴蒂斯特·西蒙·查尔丁(Jean-Baptiste-Simeon Chardin)的作品。

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