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SOUND CREATED FORM: EXPLORING THE INFLUENCE OF SOUND ON ARCHITECTURAL FORM

机译:声音创建形式:探讨声音对建筑形式的影响

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The Montreal Jazz Festival is one of the largest and the most important jazz festivals in the world. The festival lacks a proper central location for operations. The current project has explored the influence of sound on architectural form and the aural quality of spaces it can create, by designing a new "Maison du Festival."The original schematic design of the building called for two "amphitheatred" sections of the plan allowing for performances on the two main stages to be projected onto the building itself, essentially acting in the same way as the back of a traditional amphitheatre. The overall form of the building was mainly derived from taking various way file recordings of the streets surrounding the proposed site and then converting those files into a three dimensional representation. This was achieved by using a software called soundplot 1.0 TM to capture the way files that were then generated into 3D form in Rhino. Several recordings of each street were taken at various times of the day both during and after the festival to obtain a visual representation of the types of sounds that were directly affecting the proposed site. Three dimensional 'strips' were then selected from the hundreds of forms generated that would most accurately match the proposed schematic formal design and provide the "amphitheatred" sections required. A uniform building envelope was created from the way file strips. This building envelope was then analyzed using CATT Acoustics to test the acoustic properties of the buildings form. The results of CATT Acoustics as well as the information gathered from previous studies of outdoor performance spaces were used to alter that the form of the original building in order to satisfy desired acoustical parameters that were required for the musical performances. The CATT Acoustics software proved instrumental in providing the acoustical analysis information that would help accurately transform the buildings form to properly satisfy the acoustical requirements of the festival organizers.
机译:蒙特利尔爵士音乐节是世界上最大,最重要的爵士音乐节之一。音乐节缺少适当的中心位置进行运营。当前的项目通过设计一个新的“ Maison du Festival”,探索了声音对建筑形式及其可创造空间的听觉质量的影响。建筑的原始示意图设计需要计划的两个“露天剧场”部分,以便将两个主要舞台上的表演投射到建筑物本身上,其作用本质上与传统圆形剧场的背面相同。建筑物的整体形式主要来自对拟议站点周围街道进行各种方式的文件记录,然后将这些文件转换为三维表示形式。这是通过使用称为soundplot 1.0 TM的软件来捕获文件的方式来实现的,这些文件随后在Rhino中生成为3D形式。在节日期间和节日之后的一天中的不同时间,对每条街道进行了几次录音,以直观的方式表现出直接影响拟议场地的声音类型。然后从生成的数百种表单中选择三维“条”,这些表单将最精确地匹配拟议的示意图形式设计并提供所需的“圆形剧场”部分。从文件条创建了一个统一的建筑围护结构。然后使用CATT Acoustics分析该建筑围护结构,以测试建筑模板的声学特性。 CATT Acoustics的结果以及从以前对室外表演空间的研究中收集的信息用于更改原始建筑物的形式,以满足音乐表演所需的所需声学参数。事实证明,CATT Acoustics软件有助于提供声学分析信息,从而有助于准确地转换建筑物形式,从而正确满足节日组织者的声学要求。

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