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首页> 外文期刊>Harvard library bulletin >Printing the Probestücke: An Eighteenth-Century Music Publication by C.P.E. Bach
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Printing the Probestücke: An Eighteenth-Century Music Publication by C.P.E. Bach

机译:打印Probestücke:C.P.E.的18世纪音乐出版物巴赫

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COMPOSER OF ROUGHLY A THOUSAND WORKS OF DIVERSE TYPES, Carl Philipp Emanuel Bach (1714-1788), the second son of Johann Sebastian Bach, was also the author of a comprehensive treatise on keyboard instrument performance that remained influential into the nineteenth century and is now an important source on eighteenth-century practices. Issued in two volumes in 1753 and 1762, the treatise was one of several works published at mid-century that represented the extension of Enlightenment-era encyclopedism to music; others included books on the flute by Johann Joachim Quantz and on the violin by Leopold Mozart, father of Wolfgang.1 The treatise by Emanuel Bach was unique, however, in being accompanied by a musical supplement (Exempel) that contained not only numerous musical examples but six unusual sonatas for solo keyboard instrument, which the author called Probestücke or "practice pieces"2 The latter remain among the best-known works 1 Bach's treatise: Versuch über die wahre Art das Clavier zu spielen, 2 vols. (Berlin, 1753-1762); critical edition by Tobias Plebuch, in CPEB:CW, VII/1-3; trans. by William J. Mitchell as Essay on the True Art of Playing Keyboard Instruments (New York: W.W. Norton, 1949). To facilitate reference to any of the various editions, citations to this work take the form of volume, chapter, and paragraph numbers. Johann Joachim Quantz, Versuch einer Anweisung die Fl?te traversiere zu spielen (Berlin: Johann Friedrich Voss, 1752); facsimile of the third edition (Breslau: Johann Friedrch Korn the elder, 1789) ed. Hans-Peter Schmitz (Kassel: Barenreiter, 1974); trans. by Edward R. Reilly as On Playing the Flute, 2nd ed. (New York: Schirmer Books, 1985); and Leopold Mozart, Versuch einer gründlichen Violinschule (Augsburg: Johann Jacob Lotter, 1756); ed. Greta Moens-Haenen (Kassel: B?renreiter, 1995); trans. by Edith Knocker as A Treatise on the Fundamental Principles of Violin Playing, 2nd ed. (London: Oxford University Press, 1985).
机译:千姿百态的作曲家,约翰·塞巴斯蒂安·巴赫(Johann Sebastian Bach)的次子卡尔·菲利普·伊曼纽尔·巴赫(Carl Philipp Emanuel Bach,1714-1788年)也是一部键盘乐器性能综合论着的作者,该论着一直影响到19世纪,现在十八世纪实践的重要资料。该论文分两册于1753年和1762年发行,是本世纪中叶出版的几本代表着启蒙时代的百科全书扩展到音乐的作品之一。其他书籍包括约翰·约阿希姆·昆茨(Johann Joachim Quantz)的长笛书籍和沃尔夫冈(Wolfgang)的父亲利奥波德·莫扎特(Leopold Mozart)的小提琴书。1然而,伊曼纽尔·巴赫(Emanuel Bach)的论文却独具一格,并附有音乐补品(Exempel),不仅包含许多音乐实例但是有六种不同的独奏键盘奏鸣曲,作者称它们为Probestücke或“练习曲”。2后者仍是最著名的作品1巴赫的论文:Versuchüberdie wahre Art das Clavier zu spielen,第2卷。 (柏林,1753-1762); Tobias Plebuch在CPEB:CW,VII / 1-3中撰写的重要版本;反式威廉·米切尔(William J.为便于参考各个版本,对本作品的引用采用卷,章和段落号的形式。约翰·约阿希姆·昆茨(Johann Joachim Quantz),《 Versuch einer Anweisung die Fl?te traversiere zu spielen》(柏林:约翰·弗里德里希·沃斯,约翰·弗里德里希·沃斯,1752年);第三版的传真(布雷斯劳:约翰·弗里德里希·科恩,长老,1789年)。汉斯·彼得·史密兹(Hans-Peter Schmitz)(卡塞尔:Barenreiter,1974年);反式爱德华·赖利(Edward R. Reilly)着,《演奏长笛》,第2版。 (纽约:Schirmer Books,1985);以及Leopold Mozart的Versuch einergründlichenViolinschule(奥格斯堡:约翰·雅各布·洛特(Johann Jacob Lotter),1756年); ed。 Greta Moens-Haenen(卡塞尔:B?renreiter,1995年);反式由伊迪丝·诺克(Edith Knocker)作成的《小提琴演奏的基本原理》,第二版。 (伦敦:牛津大学出版社,1985)。

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