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The Search for Quasi-Periodicity in Islamic 5-fold Ornament

机译:在伊斯兰五折装饰中寻找准周期性

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摘要

The Penrose tilings are remarkable in that they are non-periodic (have no translational symmetry) but are clearly organised. Their structure, called quasi-periodicity, can be described in several ways,includingvia self-similar subdivision, tiles with matching rules, andprojection of a slice of a cubic lattice in R5. The tilings arealso unusual for their many centres of local 5-fold and 10-fold rotational symmetry, features shared by some Islamicgeometric patterns. This resemblance has promptedcomparison, and has led some to see precursors of thePenrose tilings and even evidence of quasi-periodicity intraditional Islamic designs. Bonner [2] identified threestyles of self-similarity;Makovicky [20] was inspired todevelop new variants of the Penrose tiles and later, withcolleagues [24], overlaid Penrose-type tilings on traditionalMoorish designs; more recently, Lu and Steinhardt [17]observed the use of subdivision in traditional Islamicdesign systems and overlaid Penrose kites and darts onIranian designs. The latter article received widespreadexposure in the world's press, although some of thecoverage overstated and misrepresented the actualfindings.
机译:彭罗斯(Penrose)拼贴的显着之处在于它们是非周期性的(没有平移对称性),但是结构清晰。它们的结构称为准周期,可以通过多种方式描述,包括通过自相似细分,具有匹配规则的图块以及R5中立方晶格切片的投影。瓷砖的局部5倍和10倍旋转对称中心也很不寻常,某些伊斯兰几何图案具有这些特征。这种相似之处促使人们进行了比较,并使一些人看到了彭罗斯(Penrose)瓷砖的前体,甚至看到了准周期性的内部伊斯兰设计的证据。 Bonner [2]确定了三种自相似样式; Makovicky [20]受启发开发了Penrose瓷砖的新变体,后来与同事[24]一起将Penrose类型的瓷砖覆盖在传统的摩尔式设计上;最近,Lu和Steinhardt [17]观察到细分在传统伊斯兰设计系统中的使用,并在伊朗设计上覆盖了彭罗斯风筝和飞镖。后一篇文章在世界媒体上受到广泛曝光,尽管其中一些报道夸大了事实并歪曲了实际发现。

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