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Andrew wyeth and N.C. Wyeth: a psychodynamic perspective on father and son.

机译:安德鲁·怀斯(Andrew wyeth)和N.C.惠斯(N.C. Wyeth):关于父子的心理动力学观点。

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This paper examines the relationship between two extraordinary artists, father and son-N.C. Wyeth (1882-1945) and Andrew Wyeth (1917-2009)-and their art. N.C. Wyeth, the father, the most famous illustrator of his day, painted scenes full of drama and action, often of men engaged in violent life and death struggles. N.C. was unable to separate from his powerful mother and yearned for his iconic father. He thought himself an artistic failure and dedicated himself to raising his children to be geniuses. The youngest son, Andrew Wyeth, who lived a "secret life," painted scenes often characterized by pathos: bleak and barren landscapes, leaden skies, tire tracks, gray framed houses, desiccated fields, and circling buzzards. In the father-son relationship, we often seen three themes perpetuated developmentally: (1) the son's identification with the innermost conflicts of his father; (2) the yearning for the iconic father of his youth; and (3) a continuation and disavowal of his father's life. These themes are played out in the relationship between Andrew Wyeth and his father.
机译:本文研究了两位杰出的艺术家父亲和儿子N.C.之间的关系。惠氏(1882-1945)和安德鲁·惠氏(1917-2009)-他们的艺术。父亲怀特(N.C. Wyeth)是当时最著名的插画家,他描绘的场景充满戏剧性和动作感,常常是那些从事激烈的生死斗争的人。北卡罗莱纳州无法与强大的母亲分离,并渴望他的标志性父亲。他认为自己是艺术上的失败,并致力于养育自己的孩子成为天才。最小的儿子安德鲁·惠斯(Andrew Wyeth)过着“秘密的生活”,画的场景通常带有悲观感:阴暗而贫瘠的风景,空旷的天空,轮胎痕迹,灰色框架房屋,干燥的田野和盘旋的秃鹰。在父子关系中,我们经常看到三个主题在发展上永存:(1)儿子对父亲最内心的冲突的认同; (2)对年轻的标志性父亲的向往; (3)继续和拒绝父亲的生活。这些主题在安德鲁·惠氏和他父亲之间的关系中得以体现。

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