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The Chinese Revolution and 'Liberation': Whose Tragedy?

机译:中国革命与“解放”:谁的悲剧?

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摘要

Once upon a time in China, Ella Fitzgerald sang in Shanghai's jazz clubs; bright neon lights with English advertisements shone in the dark; and, even in provincial Kunming, people saw 166 shows of the Hollywood movie I Wonder Who's Kissing Her Now. This was before 1949, when the communist peasants' army entered the cities and turned China in the first decade of Maoist rule into "one of the worst tyrannies in the history of the twentieth century, sending to an early grave at least 5 million civilians and bringing misery to countless more" (p. ⅷ). This tyranny is the focus of Frank Dikoetter's The Tragedy of Liberation: A History of the Chinese Revolution 1945-57.
机译:曾在中国的Ella Fitzgerald在上海的爵士俱乐部里唱歌。明亮的霓虹灯和在黑暗中照亮的英文广告;甚至在昆明省,人们也看到了166部好莱坞电影《我不知道谁在亲吻她》。这是在1949年之前,当时共产党农民军进入城市,并在毛派统治的头十年将中国转变为“二十世纪历史上最恶劣的暴政之一,至少有500万平民被送往早期坟墓,带来更多的痛苦”(第p页)。暴政是弗兰克·迪科耶特(Frank Dikoetter)的《解放的悲剧:1945-57中国革命的历史》的重点。

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