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A Los Angeles writer's paean to the 'point.

机译:洛杉矶作家对此的赞叹。

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Nature made me nervous as a child, SO I spent a lot of time avoiding it. It was the 1990s, and the great indoors offered so much: Nickelodeon on TV and "art" projects galore. (It seems a stretch to call the papier-mache of a Cafe du Monde coffee can art without quotation marks.) It got messy around the house, with glue adhering to fingers and flaking off on the floor, oil paint rubbing into shag carpet, and the smell of turpentine lingering like bad cologne. These pursuits, which demanded vast swaths of space and time, could not be packed for the road when my parents wanted to, say, take a family trip to Yosemite, which was my own kind of prescribed hell. I was more moved by the music playing on my Discman than by the towering sequoia groves. That's why I took up needlepoint: as something for my small, idle hands to do while in transit.
机译:大自然让我小时候很紧张,所以我花了很多时间避免它。那是1990年代,室内环境如此丰富:电视上的Nickelodeon和“艺术”计划的盛况。 (称不上带引号的Cafe du Monde咖啡罐的纸面显得有些伸张。)它在房子周围很乱,胶水粘在手指上,在地板上剥落,油漆在粗毛地毯上摩擦,松节油的气味像古龙水一样绕。这些需要大量空间和时间的追求,在我父母想例如前往约塞米蒂(Yosemite)的家庭旅行时,实在是不可行的。 Discman上播放的音乐比参天的红杉树林更让我感动。这就是为什么我要挑针:因为这是我的小手在旅途中要做的事情。

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  • 来源
    《Elle Decor》 |2018年第8期|84-84|共1页
  • 作者

    sheila marikar;

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