首页> 外文期刊>Music Education Research >Popular music pedagogy: peer learning in practice
【24h】

Popular music pedagogy: peer learning in practice

机译:流行音乐教学法:实践中的同伴学习

获取原文
获取原文并翻译 | 示例
           

摘要

The inclusion of popular music as a content area in music education is not uncommon. The musicological study of popular music is well established in higher education, and even the practice of popular music is becoming more common in both secondary education and the post-compulsory sector. However, when this occurs, it is likely to be taught in more or less the same way as other more established content areas like western classical music or jazz, with teachers being in control of the process and the curriculum, the feedback and the assessment. However, popular music is usually learned in the broader community as a self-directed activity, sometimes including interactions with peers and group activities, but rarely under the direction of an expert mentor/teacher. One Australian conservatorium has adopted the pedagogy of popular music through the creation of a scaffolded self-directed learning environment within its Bachelor of Popular Music programme. This paper argues that the pedagogical approach employed in this programme relates well to the prior learning activities of its students. It draws on the results of a survey of the learning experiences of students before they entered this programme, as a background to subsequent research into their participation in two course activities that provide opportunities for the provision feedback to peers. The study draws on data from surveys, online participation in the provision of work-in-progress feedback, and written feedback provided as part of formal assessment. Students are found to have usually engaged with multiple musical activities and used a variety of ways to enhance their musical abilities before commencing their conservatoire studies. These characteristics are also found to be present in students' engagement with their degree studies. The paper concludes that these students are well prepared for this kind of peer learning activity and provide useful feedback through the structures provided by the programme.
机译:在音乐教育中将流行音乐作为内容领域并不少见。流行音乐的音乐学研究在高等教育中已经很成熟,甚至流行音乐的实践在中等教育和后义务教育领域也变得越来越普遍。但是,发生这种情况时,很可能会以与其他更为成熟的内容领域(如西方古典音乐或爵士乐)相同的方式进行授课,而老师则负责控制过程和课程,反馈和评估。但是,流行音乐通常在更广泛的社区中作为一种自我指导的活动来学习,有时包括与同伴的互动和小组活动,但很少在专家导师/老师的指导下进行。一个澳大利亚音乐学院通过在其“流行音乐学士”课程中创建了一个脚手架的自我导向的学习环境,采用了流行音乐教学法。本文认为,该计划采用的教学方法与学生的先前学习活动密切相关。它借鉴了学生进入该计划之前的学习经历调查结果,以此作为后续研究他们参加两项课程活动的背景,这些活动为同peer提供了反馈意见。这项研究利用了调查数据,在线参与进行中的工作反馈以及作为正式评估的一部分提供的书面反馈中的数据。人们发现学生通常会从事多种音乐活动,并在开始音乐学院学习之前使用了多种方法来提高他们的音乐能力。这些特征也存在于学生的学位研究中。本文的结论是,这些学生为这种同伴学习活动做好了充分的准备,并通过该计划提供的结构提供了有用的反馈。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号