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Do arts audiences act like consumers?

机译:艺术观众的行为是否像消费者?

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This article investigates the extent to which arts audiences' behaviour conforms to the predictions of consumer behaviour theory. The discussion focuses on three established empirical ‘laws’ of consumer behaviour: repertoire buying, double jeopardy and duplication of purchase. Although these laws are well established, they have not previously been applied to arts audiences. All three of these patterns emerge from a national survey of arts participation in the UK; audiences do indeed behave like consumers. The results suggest that the arts audience is less segmented than might be expected and that every art form competes with every other art form for audiences.View full textDownload full textKeywordsarts audiences, consumer behaviourRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13606719.2011.559088
机译:本文研究了艺术观众的行为在多大程度上符合消费者行为理论的预测。讨论的重点是建立在消费者行为上的三项经验性“法则”:曲目购买,双重危险和重复购买。尽管这些法律已经很好地确立了,但它们以前并未应用于艺术观众。所有这三种模式都来自对英国艺术参与的全国调查;听众确实表现得像消费者。结果表明,艺术观众的细分程度不及预期,每种艺术形式都与其他艺术形式竞争。全文下载全文services_compact:“ citeulike,netvibes,twitter,technorati,可口,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13606719.2011.559088

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  • 来源
    《Managing Leisure》 |2011年第2期|p.88-97|共10页
  • 作者

    Chris Handa*;

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