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Disassembly Discussed: Creative Textile Sampling as a Driver for Innovation in the Circular Economy

机译:拆卸讨论:创意纺织品抽样作为循环经济创新的驾驶员

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This article argues that in order to face current and future sustainability challenges in the textile industry, the hands-on approach of creative textile designers can be harnessed not only to develop new solutions to material recyclability issues, but also to help in developing new design mind-sets in the circular economy. The article will focus on the importance of making in the textile design process. This research addresses the challenges posed by blended materials to efficient recycling. While technological progress is enabling us to recycle more types of materials (OEstlund, 2015), to achieve fibre-to-fibre regeneration simple and mono-material textiles are still more economically and environmentally sustainable (Maldini et al., 2017). Creative textile design is, however, intrinsically linked to the juxtaposition and combination of different materials and techniques (Dormer, 1997). Moving away from a mono-material approach to recyclability, the project explores the potential of design for disassembly as a solution to replicate the qualities and attraction of blends while allowing the individual components to be recovered for recycling. Thus, the constraints laid down by recyclability criteria can be creative impulses rather than limitations (Brown and Katz 2009). Current approaches to sustainable innovation mainly come from a problem-solving perspective which is removed from the textile designer's experience (Igoe, 2013). Through playful experimentation in sampling textiles for disassembly, this research aims to explore solutions from a design and making-led perspective. Textile design practice and material experimentation in the studio have been used as drivers for material innovation. The samples not only lead to original recyclable materials which combine resources for optimal performance and aesthetics, but also draft guidelines for the creation of textiles in the circular economy.
机译:本文认为,为了面对纺织业的当前和未来的可持续发展挑战,可以利用创造性纺织设计师的动手方法,不仅可以为材料可回收性问题开发新的解决方案,还可以帮助开发新的设计思维 - 在循环经济中。本文将重点关注纺织设计过程的重要性。这项研究解决了混合材料以有效回收的挑战。虽然技术进步使我们能够回收更多类型的材料(oestlund,2015),实现纤维到纤维再生简单,单材料纺织品仍然更经济和环境可持续(Maldini等,2017)。然而,创意纺织品设计是与不同材料和技术的并置和组合有关(Dormer,1997)。该项目远离单体材料的回收性方法,该项目探讨了拆卸设计的潜力,作为复制共混物的质量和吸引的解决方案,同时允许恢复各个组分以进行回收。因此,通过可回收性标准奠定的约束可以是创造性的冲动而不是限制(棕色和katz 2009)。目前可持续创新的方法主要来自解决纺织设计师的经验(Igoe,2013)中取出的解决方案。通过对拆卸采样纺织品的俏皮实验,该研究旨在从设计和制作的透视中探索解决方案。工作室中的纺织设计实践和材料实验已被用作材料创新的驱动因素。该样品不仅导致原始可回收材料,这些材料结合了资源以实现最佳性能和美学,还可以在循环经济中创建纺织品的准则草案。

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