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Adopting situationally relevant modes of music information at different stages of information-seeking processes: A longitudinal investigation among music students

机译:在信息寻求过程的不同阶段采用与情境相关的音乐信息模式:音乐学生的纵向调查

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Purpose The purpose of this paper is to elaborate the picture of situational relevance by examining how modes of music information are viewed as situationally relevant at different stages of information-seeking processes among music students. Design/methodology/approach Empirical data of the present longitudinal study were collected in two phases by utilizing questionnaire and interview methods. Informants comprised of 14 university-level music students representing the fields of music performance, music education and music theory and composition. Modes of music information were approached through the information typology presented by Rousi, Savolainen and Vakkari. Findings The findings indicate that not only the modes of music information were seen as situationally relevant for different reasons by the three participating music student groups when at the beginning of their tasks, but also that the perceived situational relevance of the information modes underwent changes as their tasks progressed to focus formulation and post-focus stages. Originality/value The paper showcases that approaching music information through frameworks that classify information sources at diverse levels of abstraction enables an accurate description of information-seeking processes and illuminates context-sensitive development of situational relevance of music information of diverse modes.
机译:目的本文的目的是通过研究音乐学生在信息寻求过程的不同阶段如何将音乐信息模式视为与情境相关来阐述情境相关性。设计/方法/方法本纵向研究的经验数据通过问卷和访谈方法分两个阶段收集。信息提供者包括14名大学水平的音乐专业学生,分别代表音乐表演,音乐教育以及音乐理论和创作领域。音乐信息的模式是通过Rousi,Savolainen和Vakkari提出的信息类型进行研究的。调查结果表明,不仅三个参加音乐的学生群体在开始工作时就因不同的原因而将音乐信息的模式视为与情境相关,而且随着信息模式的变化,人们对信息模式的感知环境相关性也发生了变化。任务进行到重点制定和后期重点阶段。原创性/价值本文展示了通过在各种抽象级别对信息源进行分类的框架来处理音乐信息,可以准确地描述信息搜索过程,并阐明各种模式下音乐信息的情境相关性的上下文相关发展。

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