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Bachelors of a Different Sort; Queer aesthetics, material culture and the modern interior in Britain

机译:不同类别的学士学位;英国的酷儿美学,物质文化与现代室内装饰

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摘要

John Potvin begins Bachelors of a Different Sort on an intimate note. He has just got married, he tells us, in the home in which he now lives with his husband. They have ceased to be bachelors. Let me make a confession of my own. I winced when I read that introduction. Not because it was infelicitous, but because I too have made a home with a man, and we remain bachelors of a different sort, because we are not married. It confuses people quite as much as if we were; but it was so different for so long that, for my boyfriend (we still call each other that, deep into middle age), the promised land of marital bliss seems like too alien a Canaan for us to enter. Bachelors of a Different Sort tells the story of men who did not have the choices Potvin or I enjoy today. Instead they described themselves (without the contemporary scholarly baggage around the word) as 'queer'.
机译:约翰·波特文(John Potvin)贴心地开始了“单身汉”。他告诉我们,他刚刚结婚,现在与丈夫住在一起。他们不再是单身汉。让我自己表白。当我阅读介绍时,我畏缩了一下。不是因为它太卑鄙,而是因为我也和一个男人一起住了家,而且我们仍然是另一种单身汉,因为我们还没有结婚。就像我们一样,它使人们感到困惑。但这是如此之久,以至于对于我的男朋友(我们仍然彼此称呼,直到中年),许诺的婚姻幸福之地似乎太陌生了,我们无法进入迦南。不同类型的单身汉讲述了一个人的故事,这些人没有选择Potvin或我今天喜欢的东西。相反,他们将自己描述为“酷儿”(没有围绕这个词的当代学术包scholar)。

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  • 来源
    《The journal of architecture》 |2015年第2期|365-369|共5页
  • 作者

    Edward Hollis;

  • 作者单位

    Edinburgh College of Art Scotland United Kingdom;

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  • 原文格式 PDF
  • 正文语种 eng
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