At first glance, Drawing Codes: Experimental Protocols of Architectural Representation asks visitors to understand that a game is afoot. Arrayed along the gallery walls are a series of square-framed black and white images, equally dimensioned and spaced evenly. Despite their cohesiveness, the pieces themselves demonstrate a remarkable diversity that produces a constant flicker between the exhibition's individual parts and its larger whole. The expansive range of works packed within the tightly curated format is a first clue to the layered ambitions of the exhibition, and the extent to which an exhibition about computation in architectural representation is itself curated as if it were an algorithm (Figure 1).
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