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‘Good Business, Good Policy, Good Patriotism’: The British Film Weeks of 1924

机译:“良好的业务,良好的政策,良好的爱国主义”:1924年的英国电影周

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This article examines the British Film Weeks of 1924. Drawing on trade, national and local press reports, I explore how these high-profile events impacted on the British film industry’s operations at this time and on broader discussions of British national cinema raging in the public sphere. While most academic literature dismisses the ‘Weeks’ as the failed projects of an ailing industry, I argue that they served as a testing ground for a number of industrial and political initiatives that would influence the ways in which British cinema was debated and promoted later in the 1920s and beyond.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/01439685.2012.648052
机译:本文考察了1924年的英国电影周。利用贸易,国家和地方媒体的报道,我探讨了这些备受关注的事件对当时英国电影业的运作以及对英国国家电影界肆虐的广泛讨论的影响。在公共领域。尽管大多数学术文献都将“周”视为疲弱行业的失败项目,但我认为它们是许多工业和政治举措的试验场,这些举措会影响英国电影的辩论方式和在1920年代及以后推出。查看全文下载全文相关的变量add add_config = { “,pubid:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/01439685.2012.648052

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