Contributors

摘要

Monica Amor teaches modern and contemporary art history in the Department of Art History, Theory and Criticism at the Maryland Institute College of Art. In 2006, she curated Gego: Defying Structures for the Museu Serralves in Porto and in 2008, with Carlos Basualdo, Mexico: Expected/Unexpected for La Maison Rouge in Paris. Her work on Lygia Clark and Helio Oiticica forms part of her book manuscript entitled The Crisis of Geometric Abstraction in the Americas.