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Riding the crest

机译:骑波峰

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Katsushika hokusai, a Japanese printmaker who died in 1849 aged nearly 90, is one of those artists whose long, impressive career has come to be known for a single iconic work. During his lifetime his images of Mt Fuji and his floral prints were widely imitated in the West. But "Under the Wave off Kanagawa (The Great Wave"-pictured)" is so famous, and has been reproduced in such a wide variety of contexts and formats, that it has swamped his other achievements. It is a testament to the complexity of Hokusai's oeuvre and to the depth of the collection at the Museum of Fine Arts (mfa) in Boston that in wandering through its new exhibition dedicated to the great Japanese print-maker, one could easily overlook this familiar image among the many riches on display. Surrounded by a host of equally inventive and beautifully crafted prints, paintings and drawings, "The Great Wave" appears as an exemplary, but not exceptional, representative of a versatile master's work.
机译:葛饰葛饰(Kasushika hokusai)是一位日本版画家,于1849年去世,享年90岁。他是那些因单幅标志性作品而闻名的漫长而令人印象深刻的职业之一。在他的一生中,他的富士山图像和花卉图案在西方广为模仿。但是《神奈川的海浪下》(图为“大浪”)如此著名,并且在各种各样的背景和格式下被复制,以至于淹没了他的其他成就,这证明了他的复杂性。北斋的作品和在波士顿美术博物馆(mfa)的藏品的深度,在徘徊于致力于这位日本版画大师的新展览中,人们很容易在众多展出的珍藏中忽略了这种熟悉的图像。 “伟大的浪潮”被许多同样富有创造力和制作精美的版画,绘画和素描所包围,似乎是一位多才多艺的大师作品的典范,但并非例外。

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    《The economist》 |2015年第8941期|77-77|共1页
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