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Effects of Visual and Auditory Feedback in Violin and Singing Voice Pitch Matching Tasks

机译:Virtin和唱歌语音反馈的影响和唱歌语音竞争匹配任务的影响

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Auditory-guided vocal learning is a mechanism that operates both in humans and other animal species making us capable to imitate arbitrary sounds. Both auditory memories and auditory feedback interact to guide vocal learning. This may explain why it is easier for humans to imitate the pitch of a human voice than the pitch of a synthesized sound. In this study, we compared the effects of two different feedback modalities in learning pitch-matching abilities using a synthesized pure tone in 47 participants with no prior music experience. Participants were divided into three groups: a feedback group ( N = 15) receiving real-time visual feedback of their pitch as well as knowledge of results; an equal-timbre group ( N = 17) receiving additional auditory feedback of the target note with a similar timbre to the instrument being used (i.e., violin or human voice); and a control group ( N = 15) practicing without any feedback or knowledge of results. An additional fourth group of violin experts performed the same task for comparative purposes ( N = 15). All groups were posteriorly evaluated in a transfer phase. Both experimental groups (i.e., the feedback and equal-timbre groups) improved their intonation abilities with the synthesized sound after receiving feedback. Participants from the equal-timber group seemed as capable as the feedback group of producing the required pitch with the voice after listening to the human voice, but not with the violin (although they also showed improvement). In addition, only participants receiving real-time visual feedback learned and retained in the transfer phase the mapping between the synthesized pitch and its correspondence with the produced vocal or violin pitch. It is suggested that both the effect of an objective external reward, together with the experience of exploring the pitch space with their instrument in an explicit manner, helped participants to understand how to control their pitch production, strengthening their schemas, and favoring retention.
机译:听觉引导的声音学习是一种在人类和其他动物物种中运作的机制,使我们能够模仿任意声音。听觉记忆和听觉反馈互动,以指导声乐学习。这可以解释为什么人类更容易模仿人类的音调而不是合成声音的音调。在这项研究中,我们将两种不同反馈方式的效果与47名参与者中的合成纯音在没有先前的音乐体验的情况下使用合成的纯音来进行学习搭接能力的影响。参与者分为三组:反馈组(n = 15)接受其音高的实时视觉反馈以及结果的知识;使用类似的Timbre地接收目标笔记的附加听觉反馈(即,小提琴或人声);和一个对照组(n = 15)实践,没有任何反馈或结果。另外第四组小提琴专家对比较目的进行了相同的任务(n = 15)。所有基团在转移阶段后向后评估。两种实验组(即,反馈和相等的计时组)在接收反馈后通过合成的声音改善了它们的语调能力。来自平等木材集团的参与者似乎有机能够作为在听着人类声音后用声音制作所需音调的反馈组,但没有与小提琴(尽管他们也表现出改善)。此外,只有接受实时视觉反馈的参与者在转移阶段中学习并保留,合成间距与其与所产生的声带或小提琴间距之间的对应关系。有人建议,客观外部奖励的效果,以及以明确的方式与他们的仪器探索俯仰空间的经验,帮助参与者了解如何控制他们的音高生产,加强其模式,并有利于保留。

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