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Dispositivi della visione, ambienti ed embodiment nella letteratura femminile

机译:女性文学的视觉设备,环境和实施例

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This article proposes a comparative analysis of the relationships between vision and passionate devices inscribed in narrative sentences. The critical tools of visual culture (Mitchell) and semiotics (Greimas) are applied for the study of space descriptions and character’s passionate states, in two literary works by Anna Maria Ortese and Lalla Romano. In their description, the scopic device that creates the vision (image according to Mitchell) is deconstructed, and a new, alternative and re-contextualized point of view is installed to create real figures of place (pictures according to Mitchell). This new point of view can range from simple emotional involvement to the physical involvement of the body. In a specular way, the reader follows the same involvement of characters.
机译:本文提出了对叙事句中铭刻铭刻的愿景与热情设备之间的关系的比较分析。在Anna Maria Ortese和Lalla Romano的两个文学作品中,应用了视觉文化(Mitchell)和符号学(格里姆)的关键工具,用于研究空间描述和角色的热情状态。在他们的描述中,创建视觉的范围设备(根据Mitchell的图像)被解构,并且安装了一个新的,替代和重新上下文化的观点来创建真实的地点(根据Mitchell的图片)。这个新的观点可以从简单的情绪参与到身体的身体参与。以一种镜面方式,读者遵循相同的字符的参与。

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